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OFFICIALSource: nme.com

Blink-182’s Travis Barker and Tom DeLonge once got so high with Cypress Hill that they wanted to go home: “It was the longest fucking...

Published August 12, 2026 · ASIA

Blink-182’s Travis Barker and Tom DeLonge once got so high with Cypress Hill that they wanted to go home: “It was the longest fucking...

SOURCE: NME.COM

Blink-182 drummer Travis Barker has opened up about an unusual and difficult experience performing under the influence during a tour with Cypress Hill and No Doubt. He recounted an occasion when he and frontman Tom DeLonge were persuaded by Cypress Hill members to smoke marijuana before a concert, resulting in a particularly challenging show.

Barker explained that although he generally avoids using drugs before performances to maintain the quality of the live experience, he made an exception during the final show of that specific tour. The decision came after assurance that the tour was ending and they would be heading home immediately afterward.

During the concert, Barker experienced a disconnect between his physical actions and his mental state, describing the performance as lasting unusually long with a heightened awareness of details he normally would not notice. Midway through the set, DeLonge expressed a strong desire to leave, which Barker shared, emphasizing the discomfort they both felt throughout the show.

In contrast, bassist Mark Hoppus remained sober during the gig and was unaware of the difficulties faced by his bandmates in managing the effects of the substances. Barker underscored that this incident was an exception rather than a rule, reaffirming that pre-show smoking has never been part of his regular routine.

This anecdote was shared during an interview on Apple Music’s Zane Lowe show, where Barker reflected on the impact such experiences have on his approach to performing. He highlighted his commitment to delivering the best possible show and the challenges that arise when that commitment is compromised.

Beyond this story, Barker is preparing to release a documentary titled "Travis Barker: Louder Than Fear," which is scheduled to premiere on Hulu and Disney+ on August 13. The film promises an in-depth look into his life, including the 2008 plane crash that nearly cost him his life, and the personal and professional growth that followed.

Blink-182, whose original lineup of Barker, DeLonge, and Hoppus reunited for their 2023 album "One More Time...," are reportedly working on new material. This ongoing collaboration signals continued momentum for the band within the pop-punk scene.

Barker’s reflections provide insight into the complexities artists face balancing substance use and professional responsibilities during tours. The incident with Cypress Hill also sheds light on the dynamics within the band during such experiences, highlighting individual differences in coping strategies and states of sobriety.

From a broader perspective, Barker’s candidness may encourage a more nuanced conversation about drug use in the music industry, particularly in relation to live performances and artists’ well-being. It also raises questions about how bands manage onstage chemistry and the pressures of touring schedules while maintaining artistic integrity.

While Barker disclosed this one-off instance, it remains unconfirmed whether similar situations have occurred during other tours or performances. The focus on his sober approach to most shows suggests a deliberate effort to prioritize professionalism and audience experience.

Looking ahead, the release of Barker’s documentary will likely generate further discussion about his resilience and influence in the music world. Additionally, the forthcoming Blink-182 album has the potential to build on the energy of their reunion and maintain their relevance in a genre that continues to evolve.

Ultimately, this episode exemplifies the challenges musicians face in balancing personal choices with the demands of live performance, underscoring Barker’s dedication to his craft and the enduring bond between the members of Blink-182.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by nme.com. Read the publisher's report for the complete source context.

Read original source: nme.com