Stockholm’s new venue Gasometer to open with performances curated by Jacob Mühlrad & Alexander Wessely

Stockholm is preparing to welcome a groundbreaking addition to its cultural landscape with the imminent opening of the Gasometer, a venue repurposed from a historic gas storage structure dating back to 1899. Scheduled to commence operations on March 17 next year, the Gasometer will offer a versatile setting capable of hosting up to 2,300 attendees in a standing configuration, or 1,750 guests in a seated theatre arrangement.

The transformation of the brick gasholder—originally designed by architect Ferdinand Boberg—has resulted in a modern, pillar-free performance space that integrates cutting-edge audio and visual technology. In addition to the main hall, the venue includes a distinctive 1,000-capacity Dome beneath its roof, further expanding its capacity and potential uses.

Managed by Miramis, a hospitality and entertainment company, the Gasometer aims to blend architectural heritage with contemporary artistic innovation. Julien Planté, Miramis’s head of entertainment and former KOKO London programming director, oversees the venue’s event curation. His vision positions the Gasometer as a new benchmark for live entertainment in Europe, emphasizing the convergence of historic structures and avant-garde creative expression.

Significantly, the Swedish Royal Opera has confirmed that it will adopt the Gasometer as one of its home venues for a five-year period, marking a strategic partnership that underscores the venue’s cultural importance and versatility.

The inaugural performances at the Gasometer will be headlined by composer Jacob Mühlrad and visual artist Alexander Wessely, who are set to collaborate in events running from March 17 to March 20. Mühlrad’s profile has been elevated internationally through commissions from prestigious institutions such as the BBC Proms and Radio France. He is also recognized for composing the score for the 2025 Nobel Prize Banquet. His musical portfolio spans classical venues like the Royal Albert Hall and Stockholm Concert Hall, as well as collaborations with popular artists including Swedish House Mafia and 070 Shake.

Alexander Wessely brings a complementary creative dimension with his expertise as a visual artist and creative director. His work has been featured alongside performances by globally renowned musicians such as The Weeknd, Rihanna, FKA twigs, and Arca. Wessely’s visual installations have appeared at major events and venues like Coachella, Madison Square Garden, and the Las Vegas Sphere, reflecting a high level of artistic acclaim.

Together, Mühlrad and Wessely’s partnership for the Gasometer’s opening underscores the venue’s commitment to fostering interdisciplinary performances that merge music with immersive visual artistry.

The Gasometer’s launch represents more than the revival of a historic industrial landmark; it signals a forward-thinking approach to live performance spaces, offering artists a platform to push creative boundaries within a context rich with architectural significance. The venue’s design and programming strategy aim to attract world-class talent and diverse audiences, contributing to Stockholm’s standing as a vibrant hub for innovative cultural experiences.

While additional details about future programming remain limited at this stage, the initial announcement has generated considerable anticipation. Industry observers are keen to see how the Gasometer will influence the live entertainment scene, balancing its heritage roots with contemporary demands.

As the venue opens its doors next spring, it is poised to become a focal point for artistic collaboration, technological integration, and audience engagement in the Swedish capital. The involvement of figures like Mühlrad and Wessely sets a precedent for the caliber of performances Gasometer intends to deliver, promising a dynamic future for this unique cultural landmark.