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OFFICIALSource: nme.com

“Classic Blondie” return with new album ‘High Noon’ featuring Johnny Marr, Glen Matlock and more and energetic single ‘Spectral Eyes’

Published October 15, 2026 · ASIA

“Classic Blondie” return with new album ‘High Noon’ featuring Johnny Marr, Glen Matlock and more and energetic single ‘Spectral Eyes’

SOURCE: NME.COM

After nearly a decade without new material, Blondie is set to release their 12th studio album, 'High Noon,' on February 26, 2024, via BMG. This record marks a significant moment for the iconic New York City band, blending their classic punk-rock roots with fresh influences from dance and Latin music. It also features the last recorded work of founding drummer Clem Burke, who passed away in 2023 following a battle with cancer.

The album’s creation began in 2022 when Debbie Harry and longtime collaborator Chris Stein reunited with the original core trio, enlisting acclaimed producer John Congleton, known for his work with artists such as St. Vincent and The War On Drugs. Sessions took place predominantly in New York, reconnecting the band in an environment integral to their early success.

'High Noon' notably includes contributions from respected musicians outside Blondie’s usual lineup. Guitar legend Johnny Marr, famed for his time with The Smiths, not only co-wrote but also played guitar on the album’s lead single, 'Spectral Eyes,' which debuted on October 15, 2023. The track captures the energy and melodic hooks that initially defined Blondie’s sound, combining shimmering guitar riffs with compelling vocal lines.

Additionally, Glen Matlock, formerly of the Sex Pistols, and Zach Condon from Beirut lend their talents to the record, alongside vocalists Jess Wolfe and Holly Laessig from Lucius. These collaborations point to Blondie's enduring appeal and willingness to intertwine diverse musical perspectives within their work.

The album comprises 13 tracks, including 'Sleepwalking,' penned by Matlock, and a reimagined version of 'Little Metal Drummer,' a song originally recorded by Blondie co-founder and keyboardist Jimmy Destri for his solo debut. The tracklist reflects a melding of bygone eras and contemporary styles, reinforcing the band’s commitment to evolving while honoring their legacy.

Visually, the album’s presentation was developed in partnership with artist and director Rob Roth, who has a longstanding creative relationship with Blondie dating back to their 1999 release, 'No Exit.' Roth aimed to create a visual identity that feels both timeless and innovative, echoing the album’s blend of past and present influences.

This release follows last year's reissue of 'No Exit,' which was pressed on vinyl for the first time and featured updated artwork alongside previously Japan-exclusive tracks. That reissue marked Blondie’s return after a 17-year hiatus from releasing new albums and reignited anticipation for fresh material.

While the passing of Clem Burke cast a shadow over the project, his final contributions remain a poignant element of 'High Noon.' The band members have acknowledged the uncertainty surrounding future recordings, with health challenges and the loss of their drummer influencing their outlook. Despite this, the album stands as a testament to Blondie’s resilience and enduring creativity.

'High Noon' serves as both a celebration of Blondie’s storied past and a statement of their ongoing relevance in the contemporary music landscape. With its blend of familiar punk energy and experimental rhythms, the album offers longtime fans and new listeners alike a dynamic listening experience that bridges generations.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by nme.com. Read the publisher's report for the complete source context.

Read original source: nme.com