Live · --:--:-- UTC
← Back to asia news feed
OFFICIALSource: nme.com

Liam Gallagher says Fontaines D.C. “are not good enough” to open for Oasis on their ‘Live ’27’ tour

Published October 17, 2026 · ASIA

Liam Gallagher says Fontaines D.C. “are not good enough” to open for Oasis on their ‘Live ’27’ tour

SOURCE: NME.COM

As Oasis prepares for their highly anticipated 'Live '27' tour, frontman Liam Gallagher has publicly dismissed the possibility of Irish post-punk band Fontaines D.C. opening for the Britpop legends. Gallagher's comments came in response to fan inquiries about potential supporting acts for the forthcoming tour, where he openly questioned the band's musical merit and stage presence, according to an NME report.

Fontaines D.C., who recently released their album 'Dopamine Chamber' on October 16, marked the occasion with a debut performance at London's Roundhouse the previous evening. Despite their rising profile and critical acclaim—NME praised their new album as a definitive record of the decade—the group has shown a notably indifferent attitude towards Oasis's reunion. Previously, members Carlos O’Connell and Conor Deegan III expressed disinterest in the 2024 Oasis reunion, describing it as a nostalgic move that clashes with their forward-looking artistic ambitions.

Contrasting with his bandmates, Fontaines D.C. frontman Grian Chatten conveyed admiration for Oasis, clarifying that the lukewarm sentiment expressed by other members did not reflect his own views. Nevertheless, Liam Gallagher's dismissive remarks have underscored a clear divide between the two acts, with Gallagher suggesting Fontaines lack the necessary tunes and presence to warrant an opening slot on the major tour.

The ongoing exchange highlights the tension between Oasis's legendary status and the contemporary alternative scene represented by Fontaines D.C. While Gallagher derides them as inadequate, Fontaines have yet to issue a formal response to his critiques. NME has reached out to the band for comment, but no statement has been made public.

The 'Live '27' tour itself was officially announced on September 14, following the success of the 'Live '25' tour. Noel Gallagher revealed that the band opted to extend their reunion tour schedule due to the overwhelming enthusiasm from fans. The tour features an extensive itinerary, including multiple nights at iconic venues such as Glasgow’s Celtic Park, Manchester’s Etihad Stadium, and the legendary Knebworth grounds. All 42 dates have sold out swiftly, underscoring Oasis’s enduring appeal.

Noel Gallagher has promised that the upcoming shows will surpass the quality of the 2025 reunion performances, emphasizing a more relaxed and confident band dynamic. So far, only Richard Ashcroft has been confirmed to support Oasis on these dates, continuing his role from the previous tour.

Meanwhile, Fontaines D.C. are navigating a challenging period marked by personal loss. Their recent Roundhouse show featured frontline singer Grian Chatten addressing the difficulties faced during the past year, likely alluding to the death of their manager Trevor Dietz in June. The band performed the track 'Favourite' from their 2023 album 'Romance,' which had garnered critical praise for its emotional depth.

The band is also set to appear in a special edition of 'Later… With Jools Holland,' filmed at Alexandra Palace and scheduled to air in November, with the session available on iPlayer shortly after. Despite Liam Gallagher’s disparagement, Fontaines D.C. continue to build momentum and critical respect within the rock music landscape.

In summary, the brewing public disagreement between Liam Gallagher and Fontaines D.C. illustrates the contrasting perspectives within the current music scene. As Oasis gears up for another major tour, the question of suitable support acts remains open, with Gallagher’s remarks casting doubt on Fontaines D.C.’s involvement. The situation reflects broader dynamics between established rock icons and emerging artists defining the new decade.

Full story & global impact

This article was synthesized and rewritten by MusicTop Editorial from reporting published by nme.com. Read the publisher's report for the complete source context.

Read original source: nme.com