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OFFICIALSource: nme.com

Macklemore calls for “free Palestine” and condemns ICE at first show since Ed Sheeran saga

Published October 24, 2026 · ASIA

Macklemore calls for “free Palestine” and condemns ICE at first show since Ed Sheeran saga

SOURCE: NME.COM

Macklemore took to the stage at Colorado’s Red Rocks Amphitheatre on October 22, marking his first performance since parting ways with Ed Sheeran’s North American tour. During the show, the rapper reaffirmed his stance on global humanitarian issues, prominently voicing support for Palestine and condemning the actions of the US Immigration and Customs Enforcement agency (ICE).

The artist’s setlist featured 17 songs, but it was his onstage commentary that drew significant attention. Macklemore used the platform to highlight human rights struggles, emphasizing the universality of compassion. His speech extended beyond Palestine, including calls for freedom and dignity for people in Sudan, Congo, Lebanon, and Haiti, as well as those affected by immigration enforcement policies in the United States.

This performance followed a turbulent period that began last month when Macklemore publicly advocated for Palestinian rights during a concert opening for Ed Sheeran at MetLife Stadium in New Jersey. He delivered a heartfelt message urging respect and equality for all humans, coupled with a performance of his politically charged track "Hind’s Hall" alongside visuals depicting Gaza.

The rapper’s direct remarks sparked backlash from certain political figures and organizations, including the Israeli-American Council. Controversy escalated when Robert Kraft, owner of Gillette Stadium, objected to Macklemore's participation in subsequent shows at the venue. This led to his removal from the remainder of Sheeran’s Loop tour dates in North America.

Macklemore revealed that Sheeran informed him stadium owners opposed his presence on the tour, a move that stirred unrest within the music community. In solidarity, all remaining support acts and Sheeran’s backing band withdrew from these shows. In response, Macklemore pledged his entire $1 million earnings from the tour to six organizations supporting Palestinians, reiterating the value of Palestinian lives amidst the dispute.

Kraft also made a separate $2 million donation toward humanitarian aid in the region, adding complexity to the public discourse surrounding the incident. When Ed Sheeran resumed his tour, he issued an apology for how the situation was handled and expressed personal doubts about his future in music due to the fallout.

Further complications arose when severe weather warnings led to the cancellation of Sheeran’s scheduled concerts at Gillette Stadium, the very venue central to the controversy. This sequence of events has continued to provoke discussion within the industry and among fans.

Notable figures in music have weighed in on the controversy. Guitarist Tom Morello commended Macklemore’s unwavering commitment to his convictions, characterizing such courage as influential. Artists like Lorde have also demonstrated support by publicly endorsing the pro-Palestine message, while others have critiqued the various stakeholders involved.

Conversely, some voices in the music world offered criticism. Metallica’s James Hetfield appeared to subtly challenge performers who utilize their stage time for political messaging, a remark seen by many as indirectly referencing Macklemore. Meanwhile, Bob Geldof expressed admiration for Macklemore and those who distanced themselves from the tour but defended Sheeran personally.

In the midst of this, Sheeran announced a fresh lineup of support acts for his ongoing Loop tour, which continues with a show in Arlington, Texas. The developments surrounding Macklemore’s activism and the subsequent tour disruptions have underscored the increasingly complex relationship between art, politics, and the music industry’s commercial interests. Details continue to unfold as the tour progresses and the wider conversation around these issues persists.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by nme.com. Read the publisher's report for the complete source context.

Read original source: nme.com