Too Lost’s latest expansion is a deal with Xelon Entertainment
Published October 20, 2026 · EUROPA

Distributor and tech firm Too Lost’s ambitions in the APAC region continue. It acquired Australian distributor and artist-services company Gyro·Group in July, and now it has announced a partnership with another distributor, Xelon Entertainment. The post is fr…
In a strategic move to deepen its presence across the Asia-Pacific (APAC) region, distributor and technology company Too Lost has solidified a new partnership with Xelon Entertainment, further building on its recent acquisition of Australian-based distributor Gyro·Group. This latest collaboration introduces significant leadership and operational synergies aimed at enhancing services for independent labels and artists.
The alliance with Xelon Entertainment marks an important chapter in Too Lost’s expansion strategy. As part of the agreement, Ashley Gay, founder of Xelon, will integrate into Too Lost’s executive leadership team. Gay will assume a pivotal role overseeing business development not only in Australia and New Zealand but also extending to the broader APAC markets, including key territories in the United Kingdom and Europe. This leadership addition is expected to leverage Xelon’s nearly two-decade history in music distribution to bolster Too Lost’s global ambitions.
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Xelon Entertainment boasts a substantial legacy, having facilitated the distribution of over one million tracks. Its extensive catalog includes releases tied to globally recognized artists such as Hans Zimmer, Tiësto, Pitbull, Carl Cox, and 2 Unlimited. This rich history underscores the distributor’s influential role in the industry and the value it brings to Too Lost’s growing portfolio.
The timing of this partnership follows closely on the heels of Too Lost’s acquisition of Gyro·Group in July, an Australian distributor that also provides artist services. These combined moves reflect Too Lost’s concerted effort to establish a compelling alternative to the dominance of major-label distributors within the region. Through these partnerships, Too Lost aims to empower independent artists and labels with enhanced access to international markets and more transparent operational frameworks.
In line with its commitment to transparency, Too Lost recently unveiled a publicly accessible daily report platform that provides operational data insights from its distribution network. This initiative signals a broader industry trend toward openness and data sharing, fostering trust and clarity in digital music distribution.
Gregory Hirschhorn, CEO of Too Lost, has emphasized that these strategic alignments are designed to significantly enhance the company's footprint in the APAC region. By combining the strengths of Gyro·Group and Xelon Entertainment, Too Lost is positioned to deliver more robust support and opportunities for artists and labels seeking alternatives to the existing major-label infrastructure.
The expanded leadership under Ashley Gay brings specialized expertise and a deep understanding of the Australian and wider APAC markets, which are increasingly critical hubs for music consumption and production. Gay’s role will be central in driving growth initiatives and navigating the evolving landscape of music distribution.
While details regarding the financial terms of the partnership remain undisclosed, the integration suggests a long-term commitment to collaborative growth. The move also reflects broader shifts within the music industry, where independent distributors and tech-driven companies are gaining influence by offering tailored services that address the needs of emerging and established artists alike.
Too Lost’s evolving network and innovative approach position it as a noteworthy player in a competitive global market. Its focus on independent music ecosystems and transparent operations could set new standards for how music distribution companies operate across diverse regions. As the APAC music market continues to expand, alliances like these are likely to shape the future dynamics of international music distribution.
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This article was synthesized and rewritten by MusicTop Editorial from reporting published by musically.com. Read the publisher's report for the complete source context.
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