Ezra Collective ‘wouldn’t exist’ without festivals like Montreux, band say

As the Montreux Jazz Festival marks its 60th anniversary in 2026, it continues to serve as a pivotal platform for both established icons and emerging artists, reinforcing its role in shaping the modern music landscape. The festival’s commitment to bridging generations of musicians was evident throughout its opening week, which featured standout performances from the UK’s Ezra Collective and British singer RAYE.

Montreux’s CEO Mathieu Jaton emphasized the festival’s dedication to curating lineups that honor its rich jazz heritage while embracing contemporary sounds. This dual focus creates a dynamic environment where newer artists are nurtured alongside legendary names, fostering an ongoing musical dialogue. For example, RAYE’s recent performances, including a special concert she curated at the historic Stravinski Auditorium, highlighted this continuity by drawing connections to past Montreux legends such as Nina Simone and Etta James.

RAYE’s presence at Montreux has evolved notably over recent years, with appearances that have ranged from her debut two years ago to headlining the lakefront stage in 2025, culminating in this year’s unique opening act. Her concert also featured surprise guest appearances by prominent figures like Mark Ronson and Alicia Keys, underscoring the festival’s reputation for unexpected collaborations and memorable moments.

In keeping with its tradition, Montreux offers artists the freedom to create distinctive performances beyond standard festival sets. This approach was exemplified by the Mercury Prize-winning Ezra Collective, who stepped in on short notice to replace the Isley Brothers. Their electrifying set at the refurbished Stravinski Auditorium included collaborations with rapper Kojey Radical and showcased their blend of jazz and contemporary influences.

Ezra Collective’s drummer and bandleader, Femi Koleoso, reflected on the significance of Montreux in the band’s evolution, recalling how a call from the late Quincy Jones as teenagers initiated their journey on this prestigious stage. Koleoso credited festivals like Montreux with providing crucial opportunities that have helped cement their place in the music world.

The festival’s reopening of the Stravinski Auditorium after extensive renovations added a renewed sense of grandeur to its performances. This venue hosted not only Ezra Collective but also the renowned American hip-hop band The Roots, whose headline set demonstrated their musical dexterity and the lyrical prowess of frontman Black Thought.

Montreux’s programming strategy deliberately blends the unpredictable with the familiar. The festival’s 60th edition exemplified this by juxtaposing rare joint appearances from artists like Van Morrison and James Taylor with contemporary performers such as Tyla and Zara Larsson. This eclectic mix reflects the festival’s ambition to honor its historical roots while actively showcasing the future of music.

Jaton acknowledged the financial and logistical challenges inherent in maintaining such an adventurous lineup in today’s market, where commercial considerations often take precedence. However, he affirmed Montreux’s mission to sustain an environment that prioritizes artistic innovation and the creative process, positioning the festival as a sanctuary where musicians can explore their craft without constraint.

As Montreux Jazz Festival progresses through its second week, it remains a testament to the enduring power of live music festivals to act as catalysts for artistic growth and cultural continuity. The festival’s evolving narrative continues to resonate with audiences worldwide, proving that even after six decades, Montreux remains a vital incubator for musical excellence and discovery.