John Hollenbeck’s George – Looking for Consonance (2026)

John Hollenbeck, renowned drummer and founder of the Claudia Quintet, has unveiled the second album from his ensemble George, titled Looking for Consonance, slated for release in 2026. This project marks a significant continuation of Hollenbeck’s exploration into contemporary jazz and socially conscious themes.

The ensemble George was established as a tribute to the late George Floyd, whose death in 2020 became a catalyst for global conversations around racial injustice. Hollenbeck’s choice to name the group after Floyd signals a deliberate engagement with the cultural and political currents that have influenced modern artistic expression.

Looking for Consonance builds upon Hollenbeck’s reputation for pushing jazz boundaries through intricate rhythms and innovative composition. Known for his precise yet adventurous drumming style, Hollenbeck remains at the forefront of jazz evolution, challenging conventional forms while maintaining a deep respect for the genre’s traditions.

This album represents Hollenbeck’s continued commitment to using music as a platform for reflection and dialogue. The ensemble’s work is noted for blending elements of jazz improvisation with structured arrangements that emphasize both tension and harmony, a dynamic that the album’s title alludes to.

While specific track details and collaborative personnel have yet to be disclosed, the release is anticipated to showcase Hollenbeck’s characteristic ability to weave complex musical narratives that resonate with contemporary issues. The project’s conceptual framework suggests an intention to find unity and consonance amidst discord, reflecting broader societal struggles.

Hollenbeck’s prior work with the Claudia Quintet established him as a pioneering figure in modern jazz, and the ensemble George extends this legacy by engaging with urgent themes through a refined sonic palette. The innovative approach to composition and performance positions Looking for Consonance as a notable contribution to the genre’s ongoing dialogue.

The 2026 release date places this album within a period of heightened artistic responses to social change, underscoring the role of musicians in interpreting and influencing cultural discourse. Hollenbeck’s ensemble thus occupies a distinctive space where musical experimentation and social consciousness converge.

Details regarding the album’s distribution, promotional activities, and potential live performances remain limited at this time. However, the announcement of Looking for Consonance has already generated interest among jazz aficionados and critics eager to witness Hollenbeck’s evolving artistic vision.

In sum, John Hollenbeck’s Looking for Consonance with ensemble George promises to be a compelling addition to his oeuvre, blending innovation, tribute, and introspection. As the music community awaits further information, the project stands as a testament to the enduring power of jazz to engage with contemporary realities through creative expression.