Nils Petter Molvær – Be Quiet (2026)
Published August 14, 2026 · JAZZ
For over three decades, Norwegian trumpeter and composer Nils Petter Molvaer has stood as one of the most influential figures in European jazz. On Be Quiet, he continues to push the boundaries of his already remarkable body of work, collaborating with a diffe…
Nils Petter Molvær, a pivotal figure in European jazz for over thirty years, unveils his latest project, "Be Quiet," slated for 2026. The album continues his exploration of genre fusion, uniting jazz improvisation with electronic textures and diverse instrumental voices across multiple international settings.
Since emerging as a prominent trumpeter in Norway, Molvær has consistently challenged traditional jazz boundaries. His earlier work, including the groundbreaking 1997 album Khmer, introduced a seamless hybridization of trumpet melodies and electronic beats, setting a precedent for genre-fluid instrumental music. This new release further extends his innovative approach by collaborating with a distinct artist and recording environment on each track.
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The production process brought unique challenges, given the album’s scope and the geographic spread of contributors. Norwegian producer and musician Jan Bang plays a significant role, providing sound design and co-production on seven of the nine tracks. Together, they craft intimate soundscapes characterized by spatial depth and subtle electronic layering.
One highlight is "London-Hackney," featuring Imogen Heap’s ethereal vocals and electronic elements. Molvær’s trumpet weaves gently through these textures, creating a contemplative atmosphere marked by gradual sonic shifts. Another track, "Bangkok," pairs Molvær’s muted trumpet with the guzheng virtuosity of Chinese musician Chang Jing. Their interplay generates a serene, floating sensation that bridges Eastern and Western musical traditions.
"London-Finsbury Park" offers a more conventional jazz dialogue, with John Paul Jones on piano complementing Molvær’s brass lines in a piece marked by dynamic interaction and melodic convergence. Meanwhile, "Amsterdam" showcases the collaboration with Iranian kamancheh player Soheil Shayesteh. The blend of the bowed string instrument and trumpet evokes both ancient mystique and modern electronic inflections, highlighting Molvær's interest in cross-cultural sound fusions.
On "Berlin—Orbit 4," Molvær partners with Alva Noto, a key figure in contemporary electronic music. Their collaboration produces a track dense with textured effects and pulsating rhythms, underscoring the album’s experimental edge. Additional contributions from cellist Anja Lechner and percussionist Marilyn Mazur enrich the sonic palette, demonstrating Molvær’s commitment to integrating acoustic expertise with digital innovation.
Throughout "Be Quiet," Molvær achieves a delicate balance between instrumental mastery and meticulous sound design, crafting a minimalist and intimate work that nonetheless maintains a sense of continuous movement. The digitally manipulated sounds retain an organic quality, reflecting his skill in blending technology with human expression.
A documentary by Norwegian filmmaker Per Manning is also in production, offering insight into the creative processes, environments, and interpersonal dynamics that shaped the album. This visual accompaniment promises to deepen understanding of Molvær’s artistic vision and the collaborative spirit behind "Be Quiet."
The album solidifies Nils Petter Molvær’s role as a boundary-pushing artist in the contemporary jazz landscape, one who embraces global influences and technological advancements to redefine the possibilities of his instrument and genre.
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