Bob Schlesinger: Falling From Earth

After decades immersed in music, composer and keyboardist Bob Schlesinger has emerged with his inaugural album, titled Falling From Earth, released at the age of 68. This debut encompasses 11 tracks that navigate a sophisticated jazz fusion soundscape, underscored by Schlesinger’s proficient piano work and an ensemble of accomplished musicians.

Integral to the album’s sonic identity is guitarist Michael Stern, whose playing reflects a mature evolution reminiscent of contemporaries like John McLaughlin. Stern’s electric guitar tone has mellowed over time, yet he maintains an edge, capable of delivering both lyrical balladry akin to Pat Metheny and more intense, brooding passages. The collaboration between Schlesinger and Stern forms the core creative partnership driving the project.

The album’s rhythm sections present a dynamic interplay, divided between two groups. On the first half, bassist Kevin Axt alternates between electric and acoustic bass, supported by a rotation of three drummers. The latter half transitions to a duo featuring bassist Eddie Gomez and drummer Billy Drummond, injecting a distinctive energy and cohesion into the compositions. This dual approach enriches the album’s texture and rhythmic complexity.

Schlesinger primarily anchors the album with acoustic piano performances, reserving electric keyboards for nuanced tonal colors. His tasteful playing style bridges traditional jazz sensibilities and contemporary fusion elements. The record concludes with a trio of piano trio arrangements that evoke the refined touch reminiscent of pianist Bob James, adding a contemplative dimension to the listening experience.

Falling From Earth is available across multiple formats including CD, vinyl LP, and digital download. Notably, the vinyl edition has received praise for its clear, spacious sound quality, delivering impressive three-dimensionality and dynamic range that complements the album’s intricate arrangements.

The album’s release underscores the often nonlinear trajectory of artists in jazz and fusion genres, where decades of musicianship culminate in a late but impactful unveiling of original work. Schlesinger’s project serves as a testament to the enduring vitality of seasoned musicianship and collaborative synergy.

Parallel to Schlesinger’s musical journey, the source publication highlights the enduring allure and resurgence of vinyl records in the music industry. This revival has been accompanied by the emergence of numerous audiophile-focused labels and independent presses worldwide, reinvigorating the medium’s cultural and sonic relevance.

The context of Falling From Earth’s creation and reception also reflects a broader narrative about the dedication and detective work involved in the music editorial field. The featured insights touch on the evolution of music journalism and the deep connection to record collecting that continues to inform and inspire critical listening and documentation.

While specific biographical details about Schlesinger’s earlier career remain limited, the quality and ambition of his debut album position him as a noteworthy contemporary voice within jazz fusion. His collaboration with distinguished musicians and the album’s production suggest a project borne of patience, skill, and a commitment to artistic expression.