Live · --:--:-- UTC
← Back to jazz news feed
LATESTSource: soundonsound.com

Celemony Tonalic gains additional Paul Kleber upright bass

Published September 9, 2026 · JAZZ

Celemony Tonalic gains additional Paul Kleber upright bass

Tonalic has just gained some new upright bass content played by Paul Kleber, a classically trained player who has adapted his style to suit a range of jazz, pop and electronic music.

Celemony, the company behind the virtual session musician Tonalic, has introduced new upright bass content performed by renowned bassist Paul Kleber. This addition broadens the instrument palette and stylistic range available to users, particularly appealing to producers working in contemporary genres.

Paul Kleber is a classically trained upright bass player who has long been embedded in Berlin’s jazz community since the mid-1990s. Over his career, Kleber has contributed to projects ranging from Jazzanova Live to the Moka Efti Orchestra, collaborating with a diverse array of artists including Emilíana Torrini, Fink, Dee Dee Bridgewater, and Nina Hagen. His adaptability across genres has made him a distinguished figure in both traditional and modern music circles.

Previously, Kleber’s bass performances in Tonalic showcased a variety of styles such as jazz, Latin, gypsy, and early swing. The latest update, however, veers into a different territory by delivering bass lines characterized by funk and groove elements tailored to hip-hop and pop music productions. These new performances are engineered to integrate seamlessly with Tonalic’s existing drum and percussion sets, allowing for richer rhythmic interplay and fresh creative possibilities.

This upgrade also introduces a sizeable collection of bowed upright bass samples, adding textural diversity and expanding the range of expressive options available to composers and producers. The bowed bass parts complement the more rhythmically focused pizzicato lines, offering users a comprehensive toolkit for creating dynamic bass arrangements.

For current subscribers and pre-paid license holders, the new content is automatically accessible upon the next launch of Tonalic, requiring no additional installation steps. New users will receive the full, updated library immediately upon purchase. Celemony offers flexible licensing options, including monthly and annual plans without subscription commitments, available through authorized dealers.

Tonalic supports major plugin formats such as VST3, AU, and AAX, and is compatible with Windows 10 or later and macOS 12 and above. This cross-platform availability ensures that a wide spectrum of digital audio workstation users can incorporate the new bass content into their workflows without compatibility concerns.

Soundonsound.com highlights that Kleber’s timing and musical phrasing not only reflect his jazz background but also demonstrate a groove-centric approach that enhances Tonalic’s capacity to deliver bass lines with both harmonic depth and rhythmic drive. This positions the software as an increasingly versatile tool for producers seeking authentic, expressive bass performances that can adapt to multiple styles.

While specific pricing details remain limited, Celemony positions Tonalic as an accessible solution for musicians and producers aiming to enrich their productions with high-quality upright bass sounds. The ongoing development and expansion of the instrument library indicate a commitment to maintaining Tonalic’s relevance in the evolving music production landscape.

In summary, the latest update to Celemony’s Tonalic enriches its sonic capabilities by incorporating Paul Kleber’s distinctive upright bass performances, reflecting a deliberate shift towards more groove-oriented genres. This enhancement underscores the software’s role as a dynamic virtual musician, capable of bridging traditional musicianship with modern production demands.

Full story & global impact

This article was synthesized and rewritten by MusicTop Editorial from reporting published by soundonsound.com. Read the publisher's report for the complete source context.

Read original source: soundonsound.com