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OFFICIALSource: thejazzmann.com

Yaniv Taubenhouse Trio - New album and US live dates.

Published October 9, 2026 · JAZZ

Yaniv Taubenhouse Trio - New album and US live dates.

SOURCE: THEJAZZMANN.COM

Pianist and composer Yaniv Taubenhouse is set to release the latest installment in his acclaimed trio series with the album "Moments in Trio Volume Four – Circles," scheduled for November 13, 2026. This release continues a long-standing collaboration with bassist Rick Rosato and drummer Jerad Lippi, marking over a decade of the trio’s collective musical exploration.

The album arrives as the fourth chapter following their previous projects "Moments in Trio Vol. 1," "Vol. 2 Perpetuation," and "Vol. 3 Roads." The consistency and depth of interaction among the trio members have been widely noted, demonstrating a high level of musical intuition and cohesion that supports their evolving artistry.

"Circles" presents a conceptual approach rooted in the cyclical nature of life and sound, a theme that Taubenhouse has woven throughout the compositions. This motif is reflected in the album’s ten pieces, which include seven original works and three reimagined standards. Taubenhouse’s reflections on the recurring and infinite shapes of circles in daily existence inform the creative process behind the music, from silent pauses to harmonic structures.

Opening with "Above the Sky," the album introduces a motif that recurs in varying harmonic contexts, inspired by natural elements like the rustling of leaves. The title track employs an unconventional 13/16 time signature to evoke a subtle rhythmic lilt, while its melodic contour mirrors circular patterns through repeated, yet harmonically distinct, phrases.

Several compositions delve into intricate thematic explorations: "Reminiscing" captures the ebb and flow of memory through shifts between major and minor tonalities, and "Mind Traps" metaphorically depicts mental loops with recurring motifs and liberating solos that contrast restraint and freedom.

The reinterpretations of standards such as Thelonious Monk’s "Bye-Ya" and Leonard Bernstein’s "Some Other Time" are restructured to emphasize cyclical form, with rhythmic and harmonic designs that bring the listener full circle by revisiting opening motifs at the conclusion.

Other tracks like "Wind" and "Daydream" experiment with irregular time signatures and recurring motifs to mimic natural phenomena and internal states, further reinforcing the album’s conceptual underpinning. The inclusion of Bud Powell’s "Oblivion" adds a historical touchpoint, with an extended coda that opens space for improvisation, symbolizing ongoing cycles.

Concluding with "Longing Forward," the album features a three-part structure that modulates through different keys, suggesting forward movement within a circular harmonic framework. This piece encapsulates the tension between progression and return, a fitting close to an album themed around infinite loops.

Alongside the album release, the Yaniv Taubenhouse Trio will embark on a series of U.S. performances between October and November 2026. Scheduled appearances include venues such as Five Spot Jazz in New York City on October 15, Jazz At The Post in Westport, Connecticut on October 29 featuring guest Greg Wall, a CD release event at Mezzrow in New York City on November 11, and a November 28 show with vocalist Ruth Stokes at Plowshares Coffee Roasters in NYC.

Throughout their career, Taubenhouse and his trio have been praised for their sensitive interplay and the seamless blending of individual voices into a unified sound. Critics have noted the trio’s ability to balance technical mastery with emotional depth, crafting music that is both intellectually engaging and accessible.

With "Moments in Trio Volume Four – Circles," the ensemble continues to contribute meaningfully to the jazz piano trio tradition, offering fresh perspectives while honoring the genre’s rich history. The album and accompanying tour promise to advance Taubenhouse’s trajectory as a significant voice in contemporary jazz.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by thejazzmann.com. Read the publisher's report for the complete source context.

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