Tabea Kind – new album ‘Dialogue Poetry’

Emerging prominently on the European jazz stage, German musician Tabea Kind unveils her latest project, Dialogue Poetry, set for release on 20 November 2026 via Treasure Records. The album marks a significant artistic evolution, showcasing her multifaceted musicianship as she expands beyond her established role as a double bassist to embrace piano performance and vocal expression.

Dialogue Poetry is conceived as a two-part musical exploration that articulates Kind’s creative duality. The initial segment comprises seven tracks featuring solo piano pieces, punctuated occasionally by her singing, offering a more introspective and at times classically tinged soundscape. This section reveals the compositional underpinnings of Kind’s artistry, presenting delicate, contemplative moods that contrast with the energy of the subsequent ensemble work.

The latter portion of the album consists of five trio adaptations of the earlier solo tracks, bringing a dynamic reinterpretation to the material. Joined by pianist Lucas Leidinger and drummer Lucas Zibulski, Kind reintroduces the compositions with a rhythmic vigor and interpersonal chemistry that invigorates the narrative of the pieces. Despite the trio’s nascent collaboration—marked by just one day of rehearsal before recording—the synergy among the musicians is palpable, lending a spirited and cohesive texture to the project.

Kind’s decision to personally perform the piano parts on the album stems from her longstanding connection to the instrument, rooted in her formative studies. She identifies the piano as a vital expressive tool, one she would choose to accompany her in isolation, underscoring its centrality to her musical identity. Historically recognized primarily as a double bassist, Kind found the challenge of collaborating with pianists who fully understood her vision a limiting factor, motivating her to undertake the piano duties herself for this release.

The interplay between the solo and trio arrangements is intentional, designed as a conceptual dialogue that reflects two facets of Kind’s musical persona. While the solo pieces expose the raw, nuanced aspects of her work, the trio segments bring to life the collective energy and improvisational interplay inherent to jazz ensemble performance. This structural choice not only highlights her versatility but also offers listeners insight into her compositional process and artistic intentions.

Drummer Lucas Zibulski, Kind’s long-term collaborator, plays a foundational role in shaping the trio’s sound. Their shared musical affinity allows Kind to compose with confidence in Zibulski’s interpretive abilities, knowing he can realize the rhythmic and emotional contours she envisions. Meanwhile, pianist Lucas Leidinger, though a newer partner, contributes a lyrical sensibility that complements Kind’s approach, emphasizing music-making beyond mere technical execution.

The album also symbolizes a personal milestone for Kind, as she ventures into publicly embracing her skills as a pianist and vocalist alongside her primary instrument. This expansion of her artistic expression is supported by her mentors and collaborators, encouraging her to transcend conventional expectations linked to her identity as a bassist.

Looking ahead, Kind plans to translate the album’s dualistic concept into live performances. Concerts will feature an intimate solo piano set to present the reflective, solitary side of the work, followed by a fuller trio performance that captures the album’s spirited ensemble dynamics. Dialogue Poetry thus serves not only as a recording project but as an evolving live experience that encapsulates the breadth of Kind’s musical narrative.

For newcomers to Tabea Kind’s compositions, this album offers a comprehensive introduction, blending melodic sensitivity with inventive jazz expression. By bridging solo introspection and collaborative energy, Dialogue Poetry affirms Kind’s growing stature as a nuanced and innovative voice within contemporary jazz.