The Green Note, Camden Town, London - Newsletter 03/11/2026.

As November unfolds, London’s Green Note venue in Camden Town is set to deliver a rich and varied program highlighting the depth of blues, roots, Americana, folk, and jazz music. The schedule, as outlined by thejazzmann.com, confirms the venue’s commitment to celebrating both established and emerging artists across a spectrum of genres.

The month opens with a notable appearance by Guy Davis, a Grammy-nominated multi-instrumentalist renowned for his intricate storytelling through blues and folk traditions. Davis’s mastery of guitar, banjo, and harmonica promises an engaging start to the month, emphasizing acoustic musicianship rooted in American musical heritage.

Following this, a last-minute adjustment to the lineup has brought in The Pegwells, an old-time banjo and fiddle duo, replacing Rob Heron due to illness. Joining them is Conrad Bird, frontman of Holy Moly & The Crackers, who arrives with a freshly released solo EP that channels poetic folk influences reminiscent of Dylan’s balladry, offering audiences a compelling double feature.

Green Note continues to explore blues-infused sounds with Lana Shelley’s performance, blending elements of blues, rock ’n’ roll, and soul, noted for her compelling vocals and rhythmic intensity. Shortly thereafter, Lady Nade will grace The Water Rats stage with her award-winning fusion of roots, folk, soul, Americana, jazz, and blues, delivering music noted for its warmth and sincerity.

Indie-folk enthusiasts will find much to admire in the special double bill featuring Sam Moss and Dietrich Strause. Both artists are recognized for their crafted songwriting and intimate performance style, promising an evocative evening centered on melodic and lyrical depth. The exploration of genre boundaries continues with DG Solaris and Hattie Whitehead, whose collaboration blends indie-folk with experimental pop and nuanced musical interplay, marking a highlight for those intrigued by adventurous contemporary sounds.

For devotees of traditional and innovative folk music, The Rheingans Sisters stand out with two consecutive shows celebrating fifteen years of a distinctive sibling partnership known for merging traditional folk with inventive musical ideas. Complementing this are appearances by Heidi Talbot and Boo Hewerdine at Heath Street Baptist Church, both acclaimed figures in folk music with a reputation for storytelling and songwriting excellence.

Bluegrass aficionados will appreciate Mountain Song’s set, which showcases gospel tunes and fiddle-driven melodies synonymous with the genre’s high-lonesome sound. This inclusion enriches the venue’s Americana offerings and reinforces the Green Note’s inclusive approach to roots music.

The Green Note’s role in the 2026 EFG London Jazz Festival is marked by a series of performances dedicated to contemporary and exploratory jazz. Among these are the collaborative improvisations of George Crowley, Ruth Goller, and Will Glaser, as well as the avant-garde combination of Rosie Turton and Miryam Solomon’s voice, trombone, and electronic textures. The Ferg Ireland Trio will bring a modern jazz approach that intersects spiritual jazz, broken beat rhythms, and swing, reflecting the festival’s embrace of innovative sounds.

Additional programming in the venue’s Basement Bar offers intimate jazz sessions and showcases upcoming talents, though specifics remain limited. This complement to the main stage lineup ensures a continuous jazz presence throughout the month.

Beyond these highlighted events, Green Note’s extensive schedule features a variety of artists such as Sam Davies Trio, Ed Cosens, Pete Williams (founding member of Dexys Midnight Runners), and Clementine Lovell Band, among others. These performances underscore the venue’s dedication to an eclectic musical palette, ranging from jazz standards and blues to experimental folk and roots music.

In all, Green Note’s November calendar reflects a curatorial vision that balances tradition and innovation, spotlighting musicians who engage deeply with their genres while inviting audiences to experience a broad array of sonic textures. This approach solidifies the venue’s reputation as a vital hub for independent live music in London, fostering community through shared musical discovery.