ATEEZ, Ella Langley, Bruno Mars, More: Chart Highlights of July 11, 2026

Bruno Mars has solidified his hold on the Billboard Radio Songs chart with his track “I Just Might” marking 20 consecutive weeks at number one. This achievement places the song among only four in the chart’s history since 1990 to maintain the top position for at least 20 weeks, trailing behind only three records with longer reigns.

The ongoing success of “I Just Might” reflects a significant period of dominance for Mars across multiple Billboard charts. Aside from Radio Songs, the song has achieved record-setting runs on Hot R&B Songs, with 25 weeks at number one, and Hot R&B/Hip-Hop Songs, where it has held the top spot for 18 weeks. This performance follows the March release of his album The Romantic, which debuted directly at number one on the Billboard 200, marking a milestone in his discography.

Alongside “I Just Might,” Mars' second single from the same album, “Risk It All,” maintains strong momentum, recently peaking at number four on the Radio Songs chart. This continued presence underscores the album’s sustained appeal and Mars’ relevance in current radio airplay trends.

In other chart news, the South Korean group ATEEZ has achieved their third number one on the Billboard 200 with their EP Golden Hour: Part.5. This accomplishment adds to the growing influence of K-pop on global music markets and reflects the group’s expanding international fanbase.

Country music contributes to the week’s highlights as well, with Ella Langley’s “Choosin’ Texas” remaining atop the Hot 100 for its 12th week. This feat places the song among the very few tracks led solely by female artists without male collaborators to persist that long at number one, and notably, it stands out as the only primarily country music act to reach this milestone.

The global music landscape continues to be shaped by the FIFA World Cup 2026 official songs. Shakira and Burna Boy’s “Dai Dai” secured its second consecutive week at number one on the Billboard Global Excl. U.S. chart, while their collaboration “Echo” climbed to the top of the Latin Airplay chart. Additional international success is seen with Daddy Yankee and Shenseea’s “Dracula,” which achieved number one on Pop Airplay and reached a new peak of number eight on the Hot 100.

Hard rock and mainstream rock genres also posted notable achievements. Reload reclaimed the number one spot on Top Hard Rock Albums following a deluxe box set release and reentered the Billboard 200 at number 16, its highest ranking since early 1998. Meanwhile, the Hot Hard Rock Songs chart welcomed a new number one with “Dehumanized,” marking the artist’s seventh chart leader since 2020, the most in the chart’s history.

Mainstream Rock Airplay’s top position was captured by “Eye of the Storm,” becoming the band’s 18th number one and extending their record with the 14th consecutive leader since 2018. In R&B and rap genres, the track “Spend Dat” earned its first number one rankings on Mainstream R&B/Hip-Hop Airplay and Rap Airplay, as well as reaching the top 20 on the Hot 100.

In gospel music, “Worthy of It All (Worthy)” achieved a significant milestone by becoming the sixth number one on Hot Gospel Songs for the artist, surpassing previous records among female performers. It replaced her own prior chart-topper, demonstrating continued dominance within the genre.

These diverse chart movements highlight the evolving musical preferences across genres and regions. Bruno Mars’ prolonged reign on multiple charts underscores the enduring appeal of R&B-infused pop amid shifting radio landscapes, while the rise of K-pop and international collaborations reflects the globalization of the music industry.

The extended success of country music led by a solo female artist suggests potential shifts in the genre’s radio dynamics and audience engagement. Additionally, the resurgence of hard rock albums indicates sustained interest in physical deluxe releases, which can boost chart performance.

Looking forward, continued monitoring of these trends will be key to understanding how artists balance radio success with streaming and global influence. Unconfirmed at present are any forthcoming tours or promotional strategies that might leverage these chart achievements. However, the current data signals robust commercial momentum for several leading acts heading into the latter half of 2026.