Bad Bunny's DTMF World Tour Wraps With $467 Million: By the Numbers

Puerto Rican artist Bad Bunny has concluded his latest global touring chapter with the finale of the Debí Tirar Más Fotos (DTMF) World Tour on July 22. Spanning 55 shows across five continents, the tour amassed an impressive $467.5 million in revenue and sold over 3.1 million tickets, according to data reported to Billboard Boxscore, marking it as a historic achievement in the Latin music industry.

The DTMF World Tour was launched in support of Bad Bunny’s critically acclaimed album Debí Tirar Más Fotos, which debuted in January 2025. The album dominated the Billboard 200 chart, maintaining the number one spot across multiple weeks in early 2025 and again in early 2026. This success was bolstered by standout singles, including his first solo number one on the Billboard Hot 100 with the title track “DtMF,” alongside other top five hits and a total of 17 tracks from the album charting on the Hot 100.

Beyond the music, Bad Bunny expanded the album’s reach with a 13-minute narrative film, a series of music videos, a Tiny Desk Concert for NPR, and high-profile appearances such as hosting Saturday Night Live’s season premiere and performing at the Super Bowl Halftime Show. Additionally, he held a 31-show residency at the José Miguel Agrelot Coliseum in his hometown of San Juan, Puerto Rico, prior to embarking on the tour.

The tour itself commenced on November 21, 2025, in Santo Domingo, Dominican Republic. Unlike many major global tours, the DTMF World Tour notably did not include any shows in the United States, a decision that sparked considerable discussion within the industry. Instead, the tour focused on a global itinerary, featuring 28 shows in Europe, 13 in South America, and 12 in North and Central America across countries like Mexico, Costa Rica, and the Dominican Republic.

This expansive route contributed to the tour becoming the highest-grossing ever by a male Latin artist, surpassing Luis Miguel’s 2023-24 tour, which grossed $409.5 million. It also became the best-selling Latin male artist tour in history by ticket sales, exceeding 3 million tickets sold—a first for Bad Bunny’s touring career. The tour’s average attendance per show increased significantly compared to his previous tours, hitting approximately 56,000 attendees per concert in 2026.

Among the tour’s standout engagements was a ten-night residency at Madrid’s Riyadh Air Metropolitano stadium, which generated $96.1 million and drew 623,000 fans, setting a new record for the largest reported concert engagement in continental Europe. Mexico City’s Estadio GNP Seguros also hosted eight shows, yielding $88 million from over half a million attendees, marking the highest-grossing and best-selling concert engagement in Mexican history and North America’s largest outside the United States.

Though the tour's scale is smaller than some of the largest global tours in recent years—such as Coldplay’s ongoing Music of the Spheres World Tour or Metallica’s M72 World Tour—Bad Bunny’s productivity remains formidable. Since resuming live performances post-pandemic, he has accumulated 218 reported shows across four tours, underscoring his consistent presence in the live music scene.

The DTMF World Tour’s performance on industry charts further highlights its impact. It topped Billboard’s monthly Top Tours chart three times (December, January, and June), bringing Bad Bunny’s total months at number one to ten—a record surpassing established artists like Beyoncé and Coldplay since the chart’s inception in 2019.

In terms of career milestones, Bad Bunny’s cumulative touring gross now exceeds $1.2 billion, with over 7 million tickets sold across 274 reported shows. His continued ascendancy in the global music market was recently marked by crossing the ten-digit revenue threshold, a first for any Latin artist and for those performing primarily in a language other than English.

With the DTMF World Tour’s conclusion, Bad Bunny has not only reinforced his status as a pioneering figure in Latin music but has also pushed boundaries for international touring achievements. While Shakira’s Las Mujeres Ya No Lloran World Tour remains the highest-grossing Latin tour overall, Bad Bunny’s recent results position him as a dominant force, particularly within the male artist category, and signal sustained momentum for Latin artists on the global stage.