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Arca’s ‘XXXXX’ is an ecstatic return to mixtape-era form

Published July 31, 2026 · LATINO

Arca’s ‘XXXXX’ is an ecstatic return to mixtape-era form

A review of Arca's new album 'XXXXX,' a thrilling return to form, harkening back mixtapes like @@@@@ and &&&&&, showing the scope of her production.

Venezuelan producer and artist Arca has released her first solo album in five years, titled ‘XXXXX,’ which thefader.com characterizes as a compelling blend of her earlier mixtape energy and the expansive ambition of her recent works. This album navigates a sonic landscape that is both richly textured and experimental, reflecting a nuanced balance between organic elements and synthetic soundscapes.

Following the 2020 completion of her ambitious KICK pentalogy—a series that explored diverse genres from Reggaeton to ambient and noise music—Arca shifts focus in ‘XXXXX’ towards a more kinetic and intimate expression. While the KICK albums unfolded with sweeping, cinematic narratives and multi-part compositions, this latest project revisits the more immediate, raw momentum reminiscent of her 2013 mixtape era.

Listeners encounter tracks that juxtapose lush atmospheres with abrasive textures. For example, “Willow” pairs ambient, Clams Casino-inspired sound design with playful 8-bit motifs, evoking a sense of ethereal yet distorted nostalgia. The album’s centerpiece, “Fxck,” combines glittering percussion and powerful bass lines within a pop-inflected framework, presenting a complex emotional texture underscored by potent lyrical themes that challenge patriarchal structures.

Throughout the record, Arca embraces a multiplicity of styles and moods, crafting a psychedelic and multifaceted sonic journey. “Finisher” recalls her previous work with Björk, particularly the string arrangements that featured on ‘Vulnicura,’ adding dramatic weight and emotional depth to the album. Meanwhile, “Throb” envelops the listener in dense layers of reverberation, creating an immersive and overwhelming atmosphere.

The glitchy and breathy textures of “Everything” evoke a sensation of sonic birth or transformation, with stuttering rhythms that gradually coalesce into discernible phrases. The album closes with “Sueño,” which extends the glitched elements found in “Throb” into a prolonged, sustained scream, leaving a resonant and haunting impression.

Arca’s earlier mixtape ‘&&&&&’ from 2013 set a precedent for her exploratory approach, featuring tracks that ranged from detuned piano experiments to chopped and screwed dance beats. This unpredictability and intuitive sequencing made it a landmark release for the artist, showcasing her ability to inhabit numerous musical identities without resorting to gratuitous complexity.

With ‘XXXXX,’ Arca revisits this ethos of multiform expression but with a maturity and ease that reflects her artistic evolution. The album is less a cohesive narrative and more a collection of vibrant, exploratory pieces that emphasize freedom of expression and sonic diversity. This marks a significant return for Arca, reaffirming her position as a boundary-pushing figure in contemporary electronic music.

While details on the album’s full production credits and thematic intentions remain limited, ‘XXXXX’ clearly signals a reinvigoration of Arca’s solo career. Thefader.com’s review positions it as a nimble and confident work, reintroducing the artist’s distinctive blend of noise, melody, and innovation to audiences hungry for new explorations in experimental music.

In sum, ‘XXXXX’ stands as a dynamic reaffirmation of Arca’s versatility and creative vision, bridging the gap between her early mixtape vigor and the expansive cinematic narratives of her recent projects. It invites listeners into a complex auditory space where contrasts coexist—organic textures meet machine-driven sounds, and pop sensibility collides with avant-garde experimentation—making Arca’s return both fresh and deeply rooted in her evolving legacy.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by thefader.com. Read the publisher's report for the complete source context.

Read original source: thefader.com