Taylor Swift and Bad Bunny Dealt With Trump Quietly. It’s a Smart Move
Published August 11, 2026 · LATINO

Both superstars muted their songs from videos posted by the administration without drawing more attention to the White House.
In recent weeks, two of the music industry's most influential artists, Taylor Swift and Bad Bunny, have taken a subtle yet decisive stance against the unauthorized use of their music by the Trump administration's social media teams. Both superstars have quietly ensured their tracks were muted in official TikTok videos posted by the White House or Trump campaign accounts, avoiding public statements or direct confrontation.
The Trump administration has frequently employed popular music in social media clips, often to frame contentious policies such as immigration enforcement in a provocative manner. This tactic, which blends internet culture with political messaging, has drawn criticism from multiple artists whose work was featured without permission. Figures including Olivia Rodrigo, Katy Perry, Ariana Grande, and Noah Kahan have publicly condemned these uses, sparking further debate around celebrity involvement in political discourse.
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Swift and Bad Bunny’s approach diverges significantly from their peers. Instead of vocal denouncement, they opted for a tactical removal of their music from the videos in question. For instance, the official White House TikTok account used Bad Bunny’s politically charged song “La Mudanza” in a video celebrating deportation statistics, while Team Trump’s campaign account paired Swift’s “August” with captions seemingly intended to provoke the singer. Subsequent posts included altered imagery related to Swift’s album alongside politically charged text.
Despite these provocations, neither artist issued public responses. The muted audio remains accessible for general use on TikTok, highlighting a deliberate strategy to disengage from amplifying the administration’s messaging. This quiet resistance contrasts with the more visible backlash from other musicians, whose vocal opposition sometimes led to inflammatory replies from White House spokespeople.
Bad Bunny has been notably outspoken about his political views, particularly regarding immigration and the plight of Puerto Rico under U.S. policies. His performances and music frequently incorporate pro-immigrant sentiments and critiques of imperialism. Given this context, his silence in response to the appropriation of his track can be interpreted as a calculated effort to deny the administration the attention it seeks.
Taylor Swift, meanwhile, has a history of opposing the Trump administration’s rhetoric and policies, having endorsed Democratic candidates and advocated for social justice issues over recent election cycles. Despite being targeted by right-wing narratives that attempt to co-opt her image, Swift has refrained from direct public commentary on the use of her music in Trump-related social media posts.
This measured response by two global stars underscores a broader consideration of how influential figures manage their platforms in politically charged environments. Public denunciations may inadvertently amplify the very messages artists oppose, especially when leveraged by controversial political figures seeking media attention.
While the full details of how the music was muted remain unclear, whether through direct requests to social media accounts or TikTok’s platform features, the outcome reflects a sophisticated understanding of modern political and media dynamics. Both artists have demonstrated a preference for minimizing engagement with content that could perpetuate divisive discourse or distract from substantive policy critiques.
As the political landscape continues to intersect with popular culture, the tactics employed by Swift and Bad Bunny may signal a shift in how celebrities navigate the appropriation of their work in digital political arenas. Their quiet yet effective refusal to amplify the administration’s messaging offers a nuanced example of resistance that balances personal convictions with strategic communication.
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This article was synthesized and rewritten by MusicTop Editorial from reporting published by rollingstone.com. Read the publisher's report for the complete source context.
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