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Selena Gomez Reaches One Billboard Chart For The First Time

Published August 13, 2026 · LATINO

Selena Gomez Reaches One Billboard Chart For The First Time

Selena Gomez reaches Billboard's Hot Tropical Songs chart with “Te Olvido (La La),” her collaboration with her husband Benny Blanco and Becky G, marking her first hit.

Selena Gomez has achieved a notable milestone in her musical career, debuting for the first time on Billboard's Hot Tropical Songs chart. This accomplishment comes with the release of "Te Olvido (La La)," a collaborative single featuring her husband Benny Blanco and Latin star Becky G.

The track opened impressively at number three on the Hot Tropical Songs chart, a ranking that highlights the most popular tunes in the tropical Latin music genre in the United States. This category encompasses a variety of Caribbean-influenced styles such as salsa, bachata, and merengue. Gomez’s entry into this chart marks a diversification in her musical footprint, expanding beyond her established pop and Latin pop territories.

In addition to her surprising debut on the tropical chart, "Te Olvido (La La)" also gained traction on Billboard’s Hot Latin Pop Songs chart, entering at the number two position. This chart specifically focuses on Latin pop tracks, underscoring the song's crossover appeal within different segments of Latin music. However, it was narrowly kept from claiming the top spot by the song "Te Estoy Correteando," a collaboration between Latin Mafia and the Grammy-winning producer Fred again.., which debuted at number one.

The collaboration of Gomez with Blanco and Becky G continues the creative partnership between Gomez and Blanco, who are not only collaborators but also spouses. Their previous joint effort, the album "I Said I Love You First" released last year, set new personal records for Blanco on several Billboard charts. Although Gomez’s solo albums had previously reached number one on the Billboard 200, this album peaked at number two, marking a rare exception in her discography.

Despite this, their ongoing collaboration has proven fruitful in other Latin music categories. Prior to "Te Olvido (La La)," Gomez and Blanco had already dominated the Hot Latin Pop Songs chart with "Ojos Tristes," a track that enjoyed significant success, spending 17 weeks at number one out of its 25 weeks on the chart.

On the broader Hot Latin Songs chart, which is the most competitive and inclusive of various Latin genres, "Te Olvido (La La)" debuted at number 14. All three artists—Gomez, Blanco, and Becky G—have previously achieved high placements on this chart with other releases, highlighting their consistent presence in the Latin music scene.

At the same time, Gomez’s earlier hit "We Don’t Talk Anymore," a collaboration with Charlie Puth, reappeared on the Billboard Global Excl. U.S. chart at number 186. This marks the song’s thirtieth week on the global chart that tracks international consumption excluding the United States, reflecting its lasting worldwide popularity.

While Gomez’s foray into the tropical Latin genre is a new development, it aligns with a broader trend of cross-genre collaborations and Latin music’s expanding influence in the global market. Her partnership with Blanco and Becky G, both established figures in this space, supports her venture into new musical territories and audience segments.

Details regarding the production timeline of "Te Olvido (La La)" and the promotional strategies surrounding its release remain limited. However, the song’s early chart performance signals strong reception and potential for further growth across Latin music platforms.

For Selena Gomez, this breakthrough into the Hot Tropical Songs chart not only diversifies her artistic portfolio but also underscores her evolving engagement with Latin music, a sector where she has steadily built a presence. As the music industry continues to embrace genre fusion and multicultural collaborations, Gomez’s latest success exemplifies the dynamic possibilities of contemporary music careers.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by forbes.com. Read the publisher's report for the complete source context.

Read original source: forbes.com