Rosalía Sings Bad Bunny’s “Safaera” While Pouring a Tequila Shot in Monterrey Concert: Watch

Spanish singer Rosalía added an unexpected twist to her recent performance in Monterrey, Mexico, incorporating a spirited nod to Mexican culture into her set. During her "LUX Tour" stop on Wednesday night, she replaced her customary white wine prop with a bottle of tequila before launching into a spontaneous rendition of Bad Bunny’s 2020 hit "Safaera."

This moment unfolded while Rosalía was seated at the piano, just prior to performing her song "Sauvignon Blanc." The tequila substitution was a deliberate homage to her Mexican audience, setting the stage for a lively and communal atmosphere. As she began singing the opening lines of "Safaera," the crowd enthusiastically joined in, creating a memorable sing-along.

"Safaera," originally released in 2020, is a collaboration featuring Bad Bunny alongside Jowell & Randy and Ñengo Flow. The track is a standout from Bad Bunny’s critically acclaimed album YHLQMDLG, known for its intricate production and dynamic energy. Rosalía’s choice to perform this song highlighted her ongoing connection to Latin urban music and her respect for contemporary Latin artists.

The Spanish vocalist and Bad Bunny have previously collaborated on "La Noche de Anoche," a track from his 2020 album "El Último Tour del Mundo." Rosalía had also integrated "Safaera" into her "LUX Tour" setlist earlier in the tour’s run, including during the opening night in Lyon, France. However, she later removed the song from her performances until this recent revival in Monterrey.

The Monterrey show was part of the Mexican segment of Rosalía’s global "LUX Tour," which included prior dates at Guadalajara’s Arena VFG on August 15th and 16th. The tour is set to continue with additional concerts in Mexico City, reinforcing her strong fanbase in the region.

Rosalía’s decision to switch from wine to tequila during the Monterrey concert is emblematic of her attentiveness to local culture and her ability to create unique, location-specific moments during her live shows. This spontaneous gesture, combined with the unexpected cover, underscored her versatility and connection with Latin music audiences.

While details about the extent of the "Safaera" performance remain limited, the footage circulating online captured the enthusiastic response from concertgoers, illustrating the power of live music to bridge artists and fans through shared cultural references and communal participation.

This instance also highlights Rosalía’s evolving relationship with Bad Bunny’s repertoire, showcasing her willingness to embrace and reinterpret influential tracks within her own performances. The integration of "Safaera" aligns with a broader trend of genre fluidity and cross-collaboration among Latin artists on the global stage.

As Rosalía’s "LUX Tour" progresses through Mexico and beyond, such moments of improvisation and cultural homage are likely to continue resonating with fans, reaffirming her status as an adaptive and culturally engaged performer. For now, her Monterrey show stands out as a vibrant example of how live concerts can serve as platforms for celebration, surprise, and artistic dialogue.