Tríada Is Shedding the Past on ‘Exuvia’

Originating from Buenos Aires, Argentina, the Latin folk ensemble Tríada is poised to make a significant mark with their inaugural album, Exuvia, scheduled for release on October 23 through Verve/Mercury Records. The trio, comprised of Diamela Spina (percussion and vocals), Aylen Reynoso (guitar), and Julia Percowicz (vocals and principal songwriter), has transitioned from gaining attention through traditional bossa nova and folk covers to presenting their own distinctive compositions.

The album title, Exuvia, metaphorically captures the band's evolution, signifying a shedding of previous musical skins. This transformation follows their earlier phase, where their 2025 covers EP, De Versiones y Alma, featured reinterpretations of classics like João Gilberto’s “O Pato” and Maria Elena Walsh’s “Canción De Bañar La Luna.” The new material emphasizes their growth into authentic voices within the Argentinian folk tradition, merging heritage with contemporary sensibilities.

Tríada’s music is distinguished not only by its rootedness in Latin American rhythms but also by an intentional modern reinterpretation of these styles. Their sound incorporates traditional instruments such as the bombo legüero and bandoneon alongside piano and guitar arrangements that draw on tango and milonga influences. This blend serves to both honor and renew Latin folk music for a broader and more diverse audience.

The trio’s commitment to cultural authenticity is underscored by their choice to write and perform lyrics exclusively in Spanish. This decision is presented by the band as both a political and artistic stance, reflecting pride in their Latin American identity and a desire to maintain linguistic integrity within their music. Their approach contrasts with industry pressures that often encourage English-language content for wider international appeal.

Before their signing with Universal Music, Tríada built an organic following through viral online success, particularly with their cover of “O Pato,” which amassed over two million views. Their rising profile caught the attention of the label, who has since supported their vision without imposing commercial language choices, allowing the group to preserve their cultural and musical ethos.

Exuvia reveals dual thematic layers, juxtaposing buoyant, uplifting tracks with more introspective and somber compositions. The album’s lead single, “Clara,” narrates the story of an older woman rediscovering connection and vitality through her environment, illustrating themes of renewal and personal transformation. Other songs delve into melancholy and contemplation, showcasing the band’s lyrical depth and maturity despite their youth.

The members’ musical backgrounds reflect classical training and familial influences, with each bringing distinct experiences to the group’s collective sound. Their formation was initially a casual collaboration during their studies at a performing arts conservatory, which during the pandemic evolved into a close-knit creative partnership. This camaraderie is credited with fostering the intimate chemistry evident in their performances and recordings.

Looking ahead, Tríada is preparing for a series of live engagements, including shows in Argentina and participation in the London Jazz Festival, signaling their efforts to expand their international presence. With Exuvia, the trio aims to invite listeners to experience a spectrum of emotions—from joy to introspection—while fostering a shared cultural connection through their music.

Tríada’s emergence embodies a nuanced dialogue between tradition and innovation within Latin American music. Their dedication to authenticity and artistry positions them as influential voices redefining contemporary folk narratives, offering audiences worldwide a compelling invitation to explore Argentina’s rich musical landscape anew.