INTERVIEW: Judeline Is Ready to Move on Her Own Terms With “La Falda”

After gaining widespread attention through a collaboration with KAROL G and Rusowsky on the track “BbY WOW,” Judeline is carving out her own artistic space with the release of her latest single, “La Falda.” This new song showcases her evolving sound, blending her flamenco roots with diverse cultural inspirations and cinematic elements.

Judeline’s rise accelerated after “BbY WOW,” produced by Tainy, went viral, opening significant opportunities including a surprise performance with KAROL G and Rusowsky at the MetLife Stadium show in New Jersey on September 17. This exposure introduced her to a broader audience, setting the stage for her to present a more personal and distinct musical statement.

“La Falda” stands apart as a track that merges sensuality with a rich artistic palette. Co-written and co-produced by Judeline alongside Isaiah Beard and John Blanda, the song incorporates a sample from Yann Tiersen, the French composer known for his evocative work on the film Amélie. This integration lends the track a textured atmosphere that complements Judeline’s themes of desire and attraction.

The visual representation of “La Falda” further accentuates its unique blend of influences. Directed by Jacob Parra Mena, the music video features Judeline alongside Mexican actor Diego Calva and includes a cameo from Rossy de Palma. The imagery juxtaposes Dior fashion aesthetics with the vibrant lights and colors of Andalusia, reflecting Judeline’s intent to evoke a contemporary yet authentic Spanish identity without resorting to clichés.

This nuanced approach to style extends beyond the video into Judeline’s personal fashion sensibility. She identifies early-2000s Spain, particularly the era of a young Penélope Cruz, as a key inspiration. Her goal is to embody a classic Mediterranean look that resonates with cultural recognition while steering clear of stereotypical representations.

Musically, Judeline continues to draw from her heritage, citing artists like Niña Pastori as evocative of her roots. Simultaneously, she expresses enthusiasm for more experimental blends, such as the fusion of flamenco with rumba portuguesa showcased by Angeliyo El Blanco. This duality reflects her broader ambition to evolve her sound by incorporating varied genres within a cohesive artistic universe.

Looking ahead, Judeline envisions her forthcoming work as an expansion rather than a reinvention. She emphasizes the importance of integrating new musical styles into the foundation she has already built. This perspective extends to her collaborative aspirations, which encompass not only musicians but also filmmakers, stylists, and other creative professionals who can contribute to the full realization of her artistic concepts.

For the remainder of 2026, Judeline plans to focus on cultivating her creative output, prioritizing studio work and artistic exploration over touring. This phase represents a deliberate effort to harness the momentum from her recent successes and channel it into projects that align with her vision and artistic integrity.

In sum, Judeline’s trajectory signals a deliberate and thoughtful progression as she balances newfound visibility with a commitment to authentic expression. “La Falda” serves as both a marker of her artistic maturity and a preview of the diverse directions she intends to pursue.