Lucho RK lidera la lista de singles española con ‘Retrica’ y sigue en el nº1 de álbumes
Published November 12, 2026 · LATINO
SOURCE: POPELERA.NET
Lucho RK has claimed the number one position on Spain’s singles chart with his track 'Retrica', marking his first time leading simultaneously on both singles and albums charts. His album 'SORDO DE UN PIE' has held the top album spot for four consecutive weeks, mirroring the single's success.
'SORDO DE UN PIE' has sustained its presence on the charts for an equal duration, during which it achieved Gold certification by selling 20,000 units or their equivalent in streams. This accomplishment highlights the album's strong commercial performance since its release.
In the singles ranking, Lucho RK dominates with five tracks in the top ten. Besides 'Retrica' at number one, other songs such as 'Contigo' at number three and 'Sumisa' at seven contribute to his significant chart presence, underscoring his widespread appeal across different tracks from the same album.
Quevedo's 'EL BAIFO' climbed to number two on the albums chart after 28 weeks, advancing one spot. El Barrio's 'Relicario' dropped to third place, illustrating a competitive environment among top Spanish albums.
Internationally renowned group BTS showed notable momentum with their 'BTS the 5th Album Arirang,' ascending from 26 to 19 in its 33rd chart week, signaling enduring interest. Meanwhile, Ilegales achieved the highest new entry, landing at number eight with 'Todos están muertos (edición deluxe),' a deluxe reissue commemorating their 40th anniversary and released shortly after the passing of Jorge Martínez. This release topped vinyl sales.
The top ten is rounded out by Los Zigarros with 'Carne con patatas' at number nine, and Queens of the Stone Age's 'Perfecth' at number ten, which concurrently debuted at number one in the United Kingdom.
Other notable entries this week include Metrika's 'La Orden' at 16 and Love of Lesbian's EP 'Nouvelle Cuisine Caníbal' at 21, diversifying the chart with varied styles and formats beyond standard albums.
On the singles side, Karol G, Judeline, and Rusowsky maintain a strong presence, holding the second position with 'BbY WOW' in its 13th week. Conversely, 'DOGGY' by La Pantera and Quevedo fell from first to fourth place in its second week.
The most substantial gain in single sales was 'Happy Monday' by W Sound, Hades66, and Ovy on the Drums, which surged from 51 to 18 in its sophomore week, reflecting growing popularity. The week's highest new entry was 'Milko Freestyle' by C. Tangana and Agorazein, entering at number 27 despite having only one day counted in sales data.
Radio airplay charts continue to be dominated by Ana Mena and Lola Indigo’s 'pa ti toa <3', which has spent 19 weeks at the top. Additionally, Olivia Dean’s 'So Easy (To Fall in Love)' jumped from number ten to two, and Romeo Santos and Prince Royce’s 'Dardos' climbed from 11 to seven in its 41st week, illustrating sustained radio support.
Lucho RK's dual dominance on both singles and albums charts reflects a consolidated fanbase and effective streaming and sales strategy. His ability to occupy five out of ten top singles positions emphasizes his versatility and the cohesive appeal of his album’s tracks.
The strong showing of deluxe editions and anniversary releases like Ilegales’ reflects an ongoing market trend where legacy acts can leverage catalog milestones to drive both physical and digital sales, including vinyl, which remains a niche but impactful format.
Collectively, these chart movements demonstrate a dynamic Spanish music market where both emerging artists and established acts coexist, with streaming, physical sales, and radio airplay all influencing rankings. The persistence of albums like Quevedo’s and BTS’s entries suggests a broad and internationalized listening base in Spain.
The official charts, compiled by Promusicae, integrate sales and streaming data across audio and video platforms, offering a comprehensive view of music consumption trends. Full chart details are accessible at Promusicae.es.
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This article was synthesized and rewritten by MusicTop Editorial from reporting published by popelera.net. Read the publisher's report for the complete source context.
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