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Lizzo responds after new album fails to crack Top 100 charts: ‘That was soul-crushing’

Published June 28, 2026 · UK

Lizzo responds after new album fails to crack Top 100 charts: ‘That was soul-crushing’

‘Juice’ singer-songwriter admits she had ‘high hopes’ for latest record

Lizzo, the acclaimed singer and songwriter known for her powerful presence and chart-topping hits, recently opened up about the unexpected commercial reception of her latest album. Released earlier this month, her fifth studio record, titled Bitch, notably failed to enter the Top 100 charts, marking a stark contrast to the success of her previous projects.

This development has prompted Lizzo, whose real name is Melissa Jefferson, to reflect publicly on the current state of her career and the broader music industry shifts that have influenced her recent outcomes. In a candid discussion on the Swiftologist podcast, she revealed the emotional toll the album's performance took on her, describing feelings of disappointment and sadness during the initial days following the release.

Lizzo acknowledged that the music landscape has undergone significant transformation over the past few years, particularly in how audiences discover and engage with new music. She pointed out that streaming platforms have largely supplanted traditional radio airplay, a medium that had previously been instrumental to her rise and sustained popularity. This shift in consumption patterns, combined with altered social media algorithms, has complicated promotional efforts and audience connection.

Prior to the release of Bitch, Lizzo had actively taken charge of promoting the album herself, engaging directly with fans through grassroots methods such as hanging up posters and personal interactions to generate excitement. Despite reaching pre-save targets and her enthusiasm reminiscent of earlier career highs, the initial sales and chart rankings fell short of her expectations, leading to a period of soul-searching and reassessment.

In the face of these challenges, Lizzo has found solace in the support of her peers, including R&B artist SZA, and has turned to meditation and reflection to maintain perspective on measuring success beyond chart numbers. This approach reflects a broader understanding of the complexities and pressures artists face in the digital age, where metrics can often feel both validating and crushing.

Complicating Lizzo's recent professional landscape are unresolved legal issues stemming from allegations made in 2023 by former backup dancers. These accusations include claims of sexual harassment, body shaming, and fostering a hostile work environment. Lizzo has consistently denied these allegations, and some claims, such as those related to weight-shaming, have been dismissed by the judiciary. Nonetheless, the ongoing lawsuit and public scrutiny have inevitably intersected with the artist’s public image and career trajectory.

Since her breakthrough and notable performances such as co-headlining Glastonbury Festival in 2022, Lizzo has enjoyed critical and commercial acclaim. Her previous album, Special, released in 2022, achieved high placements on major charts, reaching number two on the Billboard 200 and number six in the UK. The contrasting performance of her latest album highlights the volatile nature of the industry and the challenges artists encounter in sustaining momentum.

The situation underscores broader conversations within the music community about how evolving media landscapes, algorithmic unpredictability, and external controversies can dramatically impact an artist’s engagement with audiences. Lizzo’s experience serves as a case study in navigating these dynamics while maintaining creative integrity and resilience.

At present, details regarding the ongoing legal matters remain limited, and Lizzo has expressed her determination to continue addressing these challenges openly. Her reflections reveal a complex period marked by personal and professional recalibration, indicative of the hurdles faced by contemporary musicians striving to connect authentically in a rapidly changing environment.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by the-independent.com. Read the publisher's report for the complete source context.

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