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OFFICIALSource: thelineofbestfit.com

Radie Peat unveils new song, “Hares on the Mountain”

Published October 15, 2026 · UK

Radie Peat unveils new song, “Hares on the Mountain”

SOURCE: THELINEOFBESTFIT.COM

Radie Peat, renowned for her distinct musical voice, has unveiled “Hares on the Mountain,” the latest single from her forthcoming debut solo album, No Human Tongue Can Tell. This release follows her earlier singles “The Moon and Stars” and “Still I Love Him,” which offered glimpses into the thematic and sonic direction of the album.

The track “Hares on the Mountain” draws its inspiration from a traditional source discovered through folk legend Shirley Collins. The song explores themes of gender dynamics, particularly focusing on the imbalances present in courtship rituals. This artistic choice underscores Peat’s engagement with both historical folk traditions and contemporary social reflections.

No Human Tongue Can Tell is scheduled for release on 13 November 2026 via Rough Trade Records, marking Peat’s transition into solo work after establishing her reputation. The album is anticipated to delve deeper into her interpretation of folk music, blending narrative storytelling with nuanced musical arrangements.

In anticipation of the album’s arrival, Peat has announced live performances that include a headline show at the Barbican in March 2027. Additionally, a newly confirmed concert at Rough Trade East is set for 2 December 2026, providing fans with an early opportunity to experience her solo material in an intimate setting.

These performances highlight the significance of Peat’s solo venture, as she moves beyond her collaborative projects to present a personal artistic statement. The choice of venues such as the Barbican and Rough Trade East aligns with her trajectory toward engaging both mainstream and dedicated folk audiences.

While the full tracklist and detailed thematic scope of No Human Tongue Can Tell remain under wraps, the singles released so far indicate an album deeply rooted in tradition yet conscious of modern perspectives. Peat’s ability to reinterpret folk motifs while addressing contemporary topics suggests a nuanced creative approach.

The release strategy, involving staggered singles and carefully selected live appearances, reflects a considered effort to build momentum and establish Radie Peat as a solo artist distinct from her previous affiliations. This move could broaden her reach within the folk and indie music scenes.

As the release date approaches, further information about the album’s content and Peat’s artistic intentions is expected, although current insights confirm a project that balances historical influence with present-day commentary. Fans and critics alike will be watching closely to see how No Human Tongue Can Tell positions Radie Peat in the evolving landscape of folk music.

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