Irish comedian Catherine Bohart: ‘I’m surprised my following is bigger in the US and UK than it is here’
Published November 1, 2026 · UK
The Irish comedian, who is on her Borrowing Trouble tour, has been playing her biggest rooms, watching ‘smut’ and ‘winning the nerd Olympics’
Irish comedian Catherine Bohart has been steadily carving out a significant presence across the UK and US comedy scenes, surpassing the scale of her following in her native Ireland. Currently on her Borrowing Trouble tour, Bohart is performing in some of her largest venues to date, including a notable 1,000-seat show in east London, a testament to her rising popularity and critical acclaim.
Bohart’s journey into comedy began relatively recently, with her first stand-up performances dating back to 2015. Prior to this, she had pursued acting ambitions, studying at the Royal Central School of Speech and Drama in London after completing her undergraduate studies in French and history at Trinity College Dublin. The adoption of her stage name, Catherine Bohart, was a pragmatic decision to distinguish herself professionally within the UK entertainment industry.
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Her breakthrough moment came in 2024 when her one-hour special, Again, with Feelings, earned a nomination for best show at the Edinburgh Festival Fringe, a prestigious platform for comedians. Self-financed and filmed at the Soho Theatre in London, the special is now accessible on YouTube, allowing a wider audience to engage with her work.
Beyond live performances, Bohart has established a firm foothold on British radio and television. A notable highlight was her August 2024 debut on BBC Radio 4’s Just a Minute, a program renowned for its challenging format requiring speakers to talk on a subject for sixty seconds without hesitation, repetition, or deviation. Her seamless and uninterrupted contribution early in the series has been described as a significant professional achievement.
Radio 4 has become a recurring platform for Bohart, enhancing her profile with audiences who value the station’s intellectual and cultural offerings. This exposure has translated into both critical respect and increased ticket sales for her live shows, illustrating the station’s continued relevance and influence on the comedy circuit.
On television, Bohart has appeared in various British comedy programs, including Mock the Week and QI, which she regards highly due to their cultural resonance and the opportunity they provide to connect with audiences. Though her acting credits remain sparse, with one notable appearance in the Irish drama These Sacred Vows, comedy remains her primary domain. She has expressed the challenges of breaking into acting consistently but maintains aspirations in that area.
Her personal life and experiences influence her comedic material. Bohart openly discusses her struggles with obsessive-compulsive disorder and the complexities of home ownership, themes woven into Borrowing Trouble. These reflections resonate with audiences and contribute to her distinct comedic voice, which balances vulnerability with humor.
Additionally, Bohart co-hosts the podcast Tonsil Hockey with comedian Olga Koch, centered on the queer teen drama Heated Rivalry. The podcast explores themes of romance and identity, providing a space to discuss narratives often absent from mainstream media. Bohart’s connection to such content reflects her own background growing up in suburban Dublin, where queer representation was limited.
Despite her growing international audience, Bohart notes a disparity between her popularity abroad and in Ireland, expressing surprise at the smaller domestic following. However, recent increased engagement from Irish audiences indicates a shifting dynamic, possibly bolstered by her upcoming performances in major Irish venues, including Vicar Street in Dublin and shows in Cork and Belfast scheduled for November 2024.
Bohart’s trajectory illustrates the evolving landscape for Irish comedians who build careers beyond their homeland, leveraging platforms such as UK radio, television, and international tours. Her success underscores the importance of adaptability and connecting authentically with diverse audiences, positioning her as a prominent figure in contemporary comedy.
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