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OFFICIALSource: musicweek.com

Sony Music revenue up 10% in fiscal Q2 with boost from Ella Langley and Michael Jackson

Published November 5, 2026 · UK

Sony Music revenue up 10% in fiscal Q2 with boost from Ella Langley and Michael Jackson

SOURCE: MUSICWEEK.COM

Sony Music's latest financial results reveal a robust performance in its fiscal second quarter, with overall revenue climbing by more than 10% year-on-year. The period ending September 30 marked a noteworthy upswing across recorded music, publishing, merchandise, and live event revenues, underscoring the company’s broad-based growth.

The parent conglomerate, Sony Corporation, encompasses multiple music-related divisions including Sony Music Entertainment globally, Sony Music Entertainment Japan, and Sony Music Publishing. Together, these units contributed to a total music segment revenue of 598 billion yen (approximately £3.71 billion) during the quarter, showcasing a significant increase relative to the prior year.

A substantial driver of this financial uplift was the dramatic rise in sales of Michael Jackson’s catalog, which experienced nearly a threefold increase in combined physical and digital formats. This surge coincided with the launch of the biographical film ‘Michael,’ which evidently reignited consumer interest in the late artist’s body of work.

Complementing this catalog resurgence was the remarkable streaming success of emerging artist Ella Langley. Langley achieved over 1.8 billion cumulative global streams and set multiple chart records within the quarter, contributing notably to Sony Music's streaming revenue growth.

Recorded music revenues alone advanced by 19.5% year-over-year, reaching 385 billion yen ($2.39 billion), reflecting a healthy appetite for both digital and physical music formats. Physical music sales themselves showed resilience, increasing by 16.5% to 32 billion yen, signaling sustained consumer demand despite the broader industry shift toward streaming.

Streaming platforms remained a critical revenue engine, with streaming income rising 7.4% in the recorded music sector and 5.7% within music publishing when measured in U.S. dollars. This steady growth highlights the continued migration of audiences towards on-demand music consumption models.

Sony Music's diverse artist roster also contributed to the quarter’s success. Alongside Michael Jackson and Ella Langley, prominent acts such as Ateez, Bad Bunny (under Rimas Entertainment), SZA, Shakira, and Burna Boy bolstered sales and streaming figures, underscoring the label’s global reach and genre-spanning appeal.

The company’s live and merchandise divisions also played a significant role, with both areas exhibiting strong performance gains. These segments complement recorded music revenues, providing diversified income streams that strengthen Sony Music’s overall financial position.

Operating income for the music segment rose by 6.4%, reaching 123 billion yen ($760 million), reflecting the positive impact of increased streaming revenues and catalog sales on profitability. This growth affirms the strategic importance of both legacy catalog management and new artist development in sustaining Sony Music’s market leadership.

While specific regional breakdowns were not extensively detailed, the combined contributions from global markets, including Japan, form an integral part of Sony Music’s comprehensive revenue base.

In summary, Sony Music’s fiscal Q2 results demonstrate a dynamic and multifaceted growth trajectory. The synergy between legacy catalog rejuvenation, breakthrough streaming artists, and ancillary revenue streams like merchandise and live events positions the company well amid the evolving music industry landscape. Details beyond these highlights remain limited, but the figures reported by musicweek.com clearly signal a healthy period of expansion for Sony Music’s business.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by musicweek.com. Read the publisher's report for the complete source context.

Read original source: musicweek.com