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Charli XCX Releases Music, Fashion, Film B-Sides

Published July 26, 2026 · US

Charli XCX Releases Music, Fashion, Film B-Sides

All three songs come with their own black-and-white music videos

Shortly after unveiling her latest album, Music, Fashion, Film, British pop innovator Charli XCX has presented an exclusive set of B-side tracks that further expand on the sonic and visual themes of her 2026 release. These three additional songs—"I Keep on Thinking Bout You Every Single Day and Night," "Playboy Bunny," and "If You Take Away the Music Then What Has She Got?"—are currently available only on iTunes and come accompanied by stark black-and-white music videos.

This collection of B-sides serves as a conceptual extension of the main album’s narrative and aesthetic, offering fans deeper insight into Charli’s creative process during the Music, Fashion, Film sessions. By focusing on a monochrome visual presentation, the videos maintain continuity with the album’s stylistic choices, reinforcing the artistic vision that shaped the project.

Charli XCX shared on her private Instagram account that these tracks were developed as natural counterparts to the singles released prior to the album's debut. Traditionally, B-sides have held a special place in music culture, often becoming fan favorites despite their non-album status. Recognizing this, Charli intended to keep these songs off streaming platforms to preserve their unique standing but ultimately acquiesced to fan demand by releasing them digitally via iTunes.

The artist’s decision highlights an interesting tension between artistic intention and audience engagement in the digital age, where the accessibility of music can influence how supplementary material is perceived and valued. Charli’s somewhat playful acknowledgment of this compromise demonstrates her awareness of the evolving dynamics between musicians and their listeners.

Music, Fashion, Film marks Charli XCX’s second full-length album release in 2026, following her work on the Wuthering Heights soundtrack. This prolific output underscores her continued momentum and diverse creative ventures within the year.

Looking ahead, Charli is set to embark on a brief arena tour next month, which will also feature appearances at major music festivals such as Lollapalooza and Outside Lands. These performances are anticipated to showcase tracks from both Music, Fashion, Film and her latest B-side offerings, providing live audiences with a comprehensive view of her recent work.

Critics have noted the album’s bold exploration of contemporary pop and electronic textures, with some of its tracks, including "Wink Wink," being touted as contenders for the 2026 Song of the Summer. The release of the B-sides adds layers to this narrative, potentially enriching the listener’s experience by revealing facets of the album’s creative breadth that were not initially included in the main tracklist.

While detailed reception data and in-depth analysis of the B-sides remain limited at this stage, their release exclusively on iTunes marks a strategic choice that may influence how fans and critics engage with Charli XCX’s new material. This move also reflects ongoing conversations about the role of B-sides and bonus content in modern music marketing and consumption.

As Charli XCX continues to innovate within her career, the unveiling of these companion pieces affirms her commitment to multifaceted storytelling through both sound and visuals. The deliberate pairing of each B-side with a fitting black-and-white video further emphasizes the integrated artistic approach that defines her current era.

Overall, Charli XCX’s release of these B-sides not only enriches the Music, Fashion, Film era but also exemplifies the evolving relationship between artist output, fan expectations, and the digital platforms that mediate them. With a tour and festival appearances on the horizon, this latest chapter in Charli’s 2026 creative journey promises to sustain her presence at the forefront of contemporary pop music.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by pitchfork.com. Read the publisher's report for the complete source context.

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