The Cure Plays the Hits — and Robert Smith Tears Up at ‘Just Like Heaven’ — in Nostalgic, Whimsical Øyafestivalen Set: Concert Review

In a commanding performance at Oslo’s Øyafestivalen, The Cure reaffirmed their status as enduring icons of alternative rock with a set that seamlessly blended new compositions and beloved classics. Frontman Robert Smith greeted the enthusiastic crowd with a palpable warmth, signaling a confident and celebratory mood distinct from the introspective tone of their recent North American tour.

The evening commenced with "Alone," the atmospheric opener from their latest 2024 release, "Songs of a Lost World," setting a reflective yet inviting tone. This was swiftly followed by fan favorites such as "Pictures of You" and "High," which showcased the band’s signature balance of melodic brightness alongside evocative lyricism. Smith’s spirited stage presence, including playful gestures during "High," highlighted a renewed sense of ease and joy.

Throughout the two-and-a-half-hour performance, The Cure demonstrated their remarkable cohesion and musicianship. The lineup featuring Simon Gallup on bass, Roger O’Donnell on keyboards, Jason Cooper on drums, and Reeves Gabrels on guitar, delivered tight and nuanced renditions of tracks spanning their extensive catalog. Notably, the band incorporated less frequently played songs like "Alt.End" and "The Last Day of Summer," adding depth and variety to the set.

Smith’s vocal delivery retained its distinctive smoothness and emotive power, a testament to his enduring vocal health and interpretive skill. Moments of emotional intensity peaked during consecutive performances of "In Between Days" and "Just Like Heaven," with Smith visibly moved, underscoring the lasting personal significance these songs hold.

Instrumentally, the group shone during extended jams on "Play for Today" and "A Forest," the latter featuring a memorable slowed introduction that built a compelling atmosphere. This momentum carried into the expansive "From the Edge of the Deep Green Sea," where Smith’s expressive gestures complemented the song’s lyrical narrative.

The set’s conclusion featured "Endsong," another track from the current album, skillfully integrated alongside classics to demonstrate the cohesiveness of their new work within the band’s broader oeuvre. This balance highlighted The Cure’s ability to evolve artistically while maintaining their distinctive sound.

Following a brief intermission, the band returned for a vibrant encore consisting of ten songs. Smith’s theatricality came to the forefront during performances of "Lullaby," "The Lovecats," and "Close to Me," where his animated movements and playful interactions with the audience added a lively dimension to the show.

The final number, "Boys Don’t Cry," was delivered with a spirit of celebration and reflection. Smith’s earlier emotional display lent additional weight to the performance, enhancing its resonance with the crowd. The enthusiastic audience response affirmed The Cure’s lasting impact and connection with fans across generations.

This Øyafestivalen appearance not only underscored The Cure’s impressive longevity but also highlighted their commitment to making the most of their remaining years as a performing band. With plans to retire by 2029, coinciding with their 50th anniversary, this tour serves as both a tribute to their storied past and a vibrant exploration of their current creative phase. Details on future tour dates and additional setlist variations remain limited.