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Ariana Grande reunites with Wicked co-star Cynthia Erivo for two duets during London concert

Published August 17, 2026 · US

Ariana Grande reunites with Wicked co-star Cynthia Erivo for two duets during London concert

The talented sopranos surprised the sold-out crowd at O2 Arena by singing Wicked anthem For Good as well as a medley of Get Happy and Happy Days Are Here Again

Pop sensation Ariana Grande and acclaimed actress and singer Cynthia Erivo joined forces once again during Grande’s concert at London’s O2 Arena, giving fans a memorable live performance that rekindled their shared theatrical roots.

The event marked a significant reunion for the former co-stars of the celebrated Broadway musical Wicked. Grande, the Florida-born singer with a global pop following, and Erivo, the British star recognized for her near-EGOT accomplishments, surprised the audience by performing the poignant number “For Good,” a song that holds personal significance for both artists, as evidenced by matching tattoos on their palms.

Following this emotive moment, the pair settled on the stage to revisit a classic medley originally performed by Judy Garland and Barbra Streisand in 1963 — blending “Get Happy” and “Happy Days Are Here Again” into a spirited encore. This performance encapsulated a blending of Broadway heritage and contemporary showmanship, capturing the admiration of attendees and social media alike.

This appearance represented the first time Grande and Erivo publicly performed together since their joint participation in the NBC special Wicked: One Wonderful Night, which aired late last year. Their artistic partnership has spanned several years, including collaboration on the two-part film adaptation of the Wicked musical directed by Jon M. Chu, a project that grossed over $1.3 billion globally and drew significant media attention.

Both performers showcased distinctive stage styles curated by prominent fashion stylists. Erivo wore an intricately detailed ensemble by Erdem, complemented by bold accessories and outerwear, while Grande appeared in a voluminous baby-doll dress, reflecting her signature blend of youthful glamour and sophistication.

The London concert came during the final leg of Grande’s extensive Eternal Sunshine Tour, a 41-date global journey culminating with a 10-night residency at the O2 Arena. Following the tour’s conclusion on September 1, Grande plans to retreat from public appearances and media exposure to focus on her health and personal well-being, according to statements from her team.

Simultaneously, Grande’s eighth studio album, Petal, has achieved notable commercial success, debuting at number one on the Billboard 200 chart. Two tracks from the album, “Petal” and “Hate That I Made You Love Me,” have secured positions within the top ten of the Billboard Hot 100, illustrating her sustained relevance in the contemporary music scene.

Away from music, Grande has broadened her acting portfolio, recently completing a role as Olivia Jones, a former FBI hostage negotiator, in the upcoming comedy Focker-in-Law. This film is set for release later this year and features a star-studded cast including Robert De Niro and Ben Stiller.

Cynthia Erivo continues to expand her artistic endeavors beyond the stage and screen. She is poised to perform with the Boston Pops Orchestra and has taken on a lead role in the legal drama Prima Facie, which will premiere at the Toronto International Film Festival. Her upcoming film projects span various genres, including fantasy and thriller titles scheduled for release in the near future.

This collaboration at the O2 Arena not only highlighted the unique vocal talents of Grande and Erivo but also underscored their enduring creative connection forged through musical theater. While details about future joint projects remain limited, their recent performance offered a compelling reminder of their dynamic synergy and shared artistic history.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by dailymail.com. Read the publisher's report for the complete source context.

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