WOODZ’s K-rock hit “Drowning” sent him on a packed US tour

South Korean artist WOODZ, also known as Cho Seung-youn, has experienced a remarkable resurgence following his compulsory military service, propelled by the unexpected international popularity of his 2023 alt-rock single “Drowning.” Despite serving in the military since January 2024 and having limited interaction with fans during this time, the track gained significant momentum, setting a new record on South Korea’s leading streaming platform Melon for the longest stay in the Top 10, with over 70 weeks charting.

WOODZ’s musical journey began years earlier as a member of the male groups UNIQ and X1, the latter formed via the reality competition Produce X 101. However, none of his prior achievements had prepared him for the viral breakthrough that “Drowning,” a rock-infused ballad exploring the depths of heartbreak, would bring. His sudden surge in recognition extended beyond his established fanbase, attracting listeners unfamiliar with his previous work.

Upon his discharge in July 2025, WOODZ wasted no time transitioning back to his solo career. He promptly initiated the release of his first full-length album titled Archive and embarked on an extensive international tour. This journey has included performances across Asia, Europe, Australia, and most recently, North America. Reports from his shows, such as a recent concert in Atlanta, highlight audiences passionately singing “Drowning” in unison, demonstrating the song’s far-reaching impact despite linguistic differences.

The artist’s international engagements mark a significant chapter following the constraints of military duty. Reflecting on this transition, WOODZ conveyed a deep appreciation for the opportunity to connect with fans face-to-face, an experience he missed during his service. His global tour also introduces him to new cities, each offering distinct cultural flavors, which adds excitement to his ongoing live performances.

In preparation for his demanding schedule, WOODZ emphasizes maintaining physical health through regular exercise and prioritizing sufficient rest to combat jet lag. His stage presence benefits from these routines, enabling him to deliver energetic and consistent shows.

One standout moment from his tour occurred in Paris, where despite initial doubts due to illness, the support from fans at a pre-show event reinvigorated him, culminating in a powerful performance. Such experiences underscore the reciprocal relationship between WOODZ and his audience.

Musically, WOODZ has found particular enjoyment in performing “Bloodline,” the current opener of his setlists. This track helps him settle into his performances and creates an immersive atmosphere for concertgoers. He recalls his inaugural solo concert in Incheon as especially meaningful, noting the significance of drawing crowds under his own name in a solo context for the first time.

The singer’s tour wardrobe draws inspiration from classic rock icons, blending elements such as leather, denim, and vintage accessories with contemporary streetwear styles to create a distinctive yet approachable look. This fashion choice complements the musical themes he explores and enhances his stage identity.

WOODZ also shares insights into his artistic influences and aspirations, revealing advice from veteran Korean vocalist Lee Seung-chul who encouraged him to craft performances that resonate powerfully even with first-time listeners. This guidance has shaped WOODZ’s approach to live shows, aiming for universal appeal and memorable impact.

As he continues to navigate a rapidly evolving solo career, WOODZ remains grounded by both his past experiences and current successes. His journey from trainee to group member, then soldier, and now solo artist on a global stage, reflects a dynamic career characterized by resilience and artistic growth. Details about his future projects remain limited, but his ongoing momentum suggests further developments are on the horizon.