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Evanescence's Amy Lee Reflects on ‘Sanctuary’ And World Tour

Published August 20, 2026 · US

Evanescence's Amy Lee Reflects on ‘Sanctuary’ And World Tour

Amy Lee says this latest phase of Evanescence, including "Sanctuary" and its world tour, has "been emotional in a very beautiful, connected way."

Amy Lee, the sole remaining founding member of Evanescence, has described 2026 as a notably fulfilling and emotionally profound year for the band. Following the release of their sixth studio album, Sanctuary, and the first leg of their North American tour, Lee has taken time in Nashville to reflect on the band’s current momentum and its meaningful connection to fans.

Sanctuary, released on June 5, secured a top 10 position on Billboard’s Top Rock Albums and Independent Albums charts, marking a significant commercial achievement. The album features two of the band’s first number-one singles on the Mainstream Rock Airplay chart: “Who Will You Follow” and “Afterlife,” the latter associated with the Netflix animated series Devil May Cry. These milestones underscore Evanescence’s sustained relevance in the rock genre more than two decades after their formation.

The band’s trajectory since its 1994 inception in Little Rock, Arkansas, has included multiple platinum-selling albums and two Grammy Awards. Amy Lee recognizes that the band’s enduring relationship with its audience has deepened over time, blending nostalgia for earlier works like Fallen and The Open Door with enthusiasm for new material. This evolving dynamic reflects a shared history and mutual growth between the band and its fan base.

The past decade has been transformative for Lee and Evanescence. After a period focused on solo projects, including Lee’s 2014 solo album Aftermath and a children’s album in 2016, the band regrouped to navigate complex business issues and label changes. A pivotal moment came with the orchestral reinterpretation of their catalog on 2017’s Synthesis, which expanded public perception of their music beyond its early nu-metal associations.

Evanescence’s resurgence was further aided by strategic collaborations and media placements. Lee contributed vocals to projects with artists such as Poppy, Courtney LaPlante of Spiritbox, and Halsey, while the band’s classic hit “Bring Me to Life” experienced renewed popularity after featuring in HBO’s The Rehearsal. These factors collectively set the stage for larger-scale touring and heightened visibility.

The Sanctuary album creation involved a collaborative approach not seen in previous records, with producers Jordan Fish and Zakk Cervini joining forces with longtime collaborator Nick Raskulinecz. According to reports, Fish and Cervini brought a fresh fan perspective, being influenced by Evanescence’s early work themselves, which helped re-energize the band’s sound and artistic direction. The concentrated studio sessions in Los Angeles were described as particularly inspiring and pivotal to the album’s final form.

Evanescence’s current touring cycle marks a global expansion, with the band embarking on its first-ever arena tour across the United Kingdom and Europe starting in September 2026. The schedule includes notable U.S. dates such as the Sick New World Texas festival and Red Rocks Amphitheatre, followed by performances in Malaysia, Japan, and plans for Australia and New Zealand in 2027. This international reach represents a significant milestone in the band’s career.

Beyond live performances, Lee has expressed intentions to explore visual and documentary projects that complement the Sanctuary era, indicating a desire to deepen the album’s artistic impact. While new music isn’t immediately forthcoming, Lee’s creativity remains active, and she anticipates future songwriting inspired by the current momentum.

In sum, Evanescence’s latest chapter is characterized by a blend of retrospection, collaboration, and renewed ambition. The success of Sanctuary and the extensive touring plans reflect a band that has not only survived but evolved, reconnecting with long-time supporters while embracing new audiences worldwide.

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