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Puerto Rican singer-songwriter Kany García brings her biggest tour yet to the US

Published September 2, 2026 · US

Puerto Rican singer-songwriter Kany García brings her biggest tour yet to the US

Puerto Rican singer-songwriter Kany García is bringing her intimate, personal music to bigger stages with her Puerta Abierta tour in the United States

Puerto Rican singer-songwriter Kany García is embarking on what she calls her most ambitious tour yet, bringing her heartfelt and intimate music to larger audiences across the United States. Building on her reputation as a seven-time Latin Grammy winner, García is expanding her live performances with the Puerta Abierta tour, which follows successful concerts in Mexico City and Medellín.

The U.S. leg of the tour commenced on September 7 in Highland, California, and includes stops in major cities such as San Antonio, Orlando, Los Angeles, and Chicago. The itinerary also reaches into Canada, with scheduled shows in Toronto and Montreal. García’s presence in North America will be further highlighted by her participation in Billboard Latin Music Week in Miami this October.

Known for songs that weave personal narratives with emotional resonance, García is challenging herself to maintain the intimate atmosphere that defines her music while performing in larger venues. She has incorporated a richer instrumental palette for this tour, showcasing her proficiency on the piano alongside her signature guitar. This approach aims to create a sense of closeness between the artist and the audience despite the expansive settings.

The Puerta Abierta album, which underpins the tour, reflects García’s evolving artistry and her connection to regional Mexican music. She has collaborated with prominent artists in this genre, including Carín León and Christian Nodal, and expresses a deep-rooted affinity for the style, describing it as integral to her musical identity. One standout track, “La mala era yo,” features Mexican singer Yuridia and represents a nuanced dialogue between two female perspectives, emphasizing mutual understanding rather than blame.

Visually, the concerts incorporate imagery that pays homage to García’s personal history. A prominent feature is a large projection of a young girl with a haircut done by family members during financially challenging times, symbolizing the singer’s roots and the formative experiences that inspire her work. This motif reinforces the connection between García’s past and present, honoring the cultural and emotional influences embedded in her music.

García’s collaborations extend beyond Mexico, as seen in her partnership with the Venezuelan band Rawayana on “La culpa,” a song that captures the resilience and spirit of Caribbean life despite adversity. The artist also uses her platform to raise awareness about ongoing hardships in Latin America, including recent earthquakes affecting Colombia and Venezuela. She supports humanitarian efforts such as ABACO in Colombia, stressing the importance of sustained aid beyond initial disaster coverage.

Throughout the tour, García embraces the present moment, intentionally engaging with each city’s local culture, including reading local newspapers to deepen her connection to the places and people she visits. This practice reflects her commitment to authenticity and to savoring the live music experience beyond the performance itself.

As Kany García brings her Puerta Abierta tour to larger stages across North America, she continues to blend personal storytelling, cultural homage, and musical experimentation. Her efforts to merge intimacy with expansive performances demonstrate both artistic growth and a dedication to maintaining a genuine bond with her audience.

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