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Kiwi Jr., So Faint, Dinosaur Jr. and 7 Other Concerts We Are in the Future Is Bringing to Toronto

Published September 4, 2026 · US

Kiwi Jr., So Faint, Dinosaur Jr. and 7 Other Concerts We Are in the Future Is Bringing to Toronto

We Are in the Future is back with a whole new crop of concerts to look forward to in Toronto this year and early next.Including, hometown

Toronto is set to experience a dynamic series of concerts spanning indie rock, folk, jazz, and R&B genres, as the We Are in the Future concert series returns with an exciting lineup for late 2024 and early 2027. The schedule highlights a mix of emerging talents and established artists, offering a broad spectrum of live music experiences across notable city venues.

Kicking off the autumn lineup, Toronto's own Kiwi Jr. will headline a show at Longboat Hall on October 9, promoting their latest album "Blowin' Up." Known for their energetic indie rock sound, Kiwi Jr. represents the local music scene's vitality and growth. Shortly after, Rhett Madison, a singer-songwriter from West Virginia, will bring her poignant storytelling to the Sound Garage on October 17. Her recent work delves into personal themes, following her 2023 release that paid tribute to her late mother.

October continues with the debut live performance of So Faint at Lula Lounge on October 22. This project unites longtime friends Lyn Heinemann and Hannah Georgas, whose collaborative effort merges their individual artistry into a fresh indie-pop sound. Their self-titled album marks a new chapter in both artists’ careers, introducing audiences to their combined creative vision.

November introduces a blend of folk and experimental music with Dublin’s Madra Salach performing at The Garrison on November 12. This six-member group draws from traditional Irish music while incorporating contemporary storytelling and innovative arrangements. Following closely, Sadurn, an indie folk group, is scheduled for The Garrison on November 14 to support their forthcoming album releasing mid-October. Their intimate yet powerful style is expected to transform the venue's atmosphere.

Also on November 14, Resavoir will appear at the Sound Garage. The project, spearheaded by Will Miller, is noted for its fusion of organic instrumentation with electronic textures. Resavoir’s evolving lineup and genre-blurring compositions continue to attract attention within Toronto’s eclectic music community.

Later in November, Salt Lake City's the Kilans will perform at the Hard Luck Bar on November 18. Since their formation during college years, the quartet has developed a distinct sound that has grown considerably with the release of their debut album "Could You Keep It Dark," set for release in late October. Their presence adds an American indie rock flavor to Toronto’s concert offerings.

The month concludes with saxophonist Venna at the Opera House on November 28. An award-winning figure in jazz and contemporary music circles, Venna is recognized for his evolving artistry and rising prominence. His performance is anticipated to showcase sophisticated musicianship and innovative approaches to jazz.

December rounds out the calendar with Thee Sinseers taking the stage at Longboat Hall on December 8. Their modern interpretation of R&B and soul brings a fresh perspective to these genres, contributing to the diversity of Toronto’s live music scene.

Looking forward beyond 2024, the highly anticipated appearance of Dinosaur Jr. at Danforth Music Hall on March 7, 2027, promises a significant event for indie rock fans. The band, veterans with a longstanding influence, will be performing tracks from their 13th studio album "There Near," continuing their legacy within the genre.

This series curated by We Are in the Future offers Toronto audiences a compelling blend of homegrown talent and international acts across multiple venues, reinforcing the city’s reputation as a vibrant hub for live music. Details on ticket availability and additional concert announcements can be found through local listings and concert platforms.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by exclaim.ca. Read the publisher's report for the complete source context.

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