‘Girl Group’ Review: Rebel Wilson’s Underwhelming Ode to Female Empowerment Falls Flat
Published September 12, 2026 · US

Toronto International Film Festival 2026: Wilson writes, directs and stars as a washed-up pop star forced to confront new beginnings The post ‘Girl Group’ Review: Rebel Wilson’s Underwhelming Ode to Female Empowerment Falls Flat appeared first on TheWrap.
Rebel Wilson returned to the Toronto International Film Festival in 2026 with her latest film, "Girl Group," which she wrote, directed, and stars in. Following the release of her 2024 directorial effort "The Deb," Wilson explores themes of female empowerment and redemption against the backdrop of the music industry. Despite the film's ambitious premise and ensemble cast, critical responses suggest it falls short of expectations.
"Girl Group" centers on Tassie Young, portrayed by Wilson, a former pop icon from the late 1990s and early 2000s whose career has waned. After a DUI incident leads to court-ordered community service, Tassie finds herself mentoring a fledgling group of teenage singers. This mentorship opportunity arises after she is replaced in a reunion tour of her original girl group, Gurlfriends, forcing her to confront both her past mistakes and the challenges of the present.
Related stories
The narrative unfolds as Tassie attempts to guide the new group, dubbed Tassie’s Young Protégés, toward a pivotal record label competition. The film delves into the generational tensions and divergent musical tastes between Tassie’s era and that of the young singers, aiming to highlight resilience and the power of female camaraderie. However, while the story aspires to an uplifting message about growth and unity, reviewers from TheWrap describe the execution as lacking nuance and depth.
One notable aspect of "Girl Group" is its nostalgic focus on the early 2000s music scene, a decade that Wilson has revisited in recent projects. This era is woven throughout the film’s aesthetic and soundtrack, which features covers of artists such as Sabrina Carpenter, Chappell Roan, and Destiny’s Child. The involvement of Live Nation as a producer lends authenticity to the musical performances, with the young cast delivering several notable vocal showcases.
Despite the film’s ensemble nature, Wilson’s performance as Tassie dominates the screen, with some critics noting that her presence overshadows the supporting characters. The portrayal includes familiar traits from Wilson’s previous roles, including comedic quirks and outbursts, though some perceive these elements as outdated rather than fresh or engaging. This focus on Wilson’s character sometimes detracts from the development of the young performers, who represent the film’s intended future-facing spirit.
The plot also introduces a competitive dynamic through a rival girl group led by Jamie-Lee O’Donnell, adding a layer of tension reminiscent of popular musical comedies like "Pitch Perfect." While the film references such titles directly, critics argue that it does not capture the same energy or wit. Supporting cast members, including Melanie C from Spice Girls, Randall Park, Nicole Scherzinger, Jennifer Coolidge, and Sally Hawkins, contribute memorable cameos that provide moments of levity and star power.
Wilson’s attempt to blend empowerment themes with entertainment results in a mixed bag, as the film struggles to balance its nostalgic elements with contemporary relevance. Viewers looking for a fresh take on the girl group genre or a sharp critique of the music industry may find the story formulaic and its humor uneven. Nonetheless, the heartwarming interactions among the teenage singers offer glimpses of genuine connection and potential.
In summary, "Girl Group" aims to be an inspiring tale about second chances and the enduring spirit of female artists. However, according to TheWrap’s review, it falls short of fully realizing these ambitions, hindered by a script and direction that do not consistently engage. As Wilson continues to refine her voice behind the camera, this film stands as a transitional effort that highlights both her strengths and areas for growth in storytelling.
Full story & global impact
This article was synthesized and rewritten by MusicTop Editorial from reporting published by thewrap.com. Read the publisher's report for the complete source context.
Read original source: thewrap.com

