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Paula Cole Doesn’t Want to Wait

Published September 14, 2026 · US

Paula Cole Doesn’t Want to Wait

At the Conservatory Garden, the singer reflects on her new two-album set, “Sonic Memoir: Demos 1989-1998”; launching Lilith Fair with Sarah McLachlan; and the time Jay Leno made fun of her armpit hair. Rachel Syme reports.

Paula Cole, the singer-songwriter who rose to fame in the late 1990s, is revisiting the milestones and challenges that have shaped her enduring career. The artist, now 58, recently embarked on a national tour commemorating the 30th anniversary of her acclaimed album "This Fire," an era that catapulted her into the spotlight with hits like "Where Have All the Cowboys Gone?" and "I Don’t Want to Wait."

Cole’s initial mainstream breakthrough came during the 1998 Grammy Awards where she secured the Best New Artist Grammy among seven nominations. Despite the accolades, her public image became a subject of controversy, notably due to the media's focus on her choice to appear with unshaven armpits, an incident that overshadowed her artistic achievements. This episode highlighted the gender biases prevalent in the music industry and popular culture, particularly regarding female artists' appearances.

The Grammy night marked a pivotal moment for Cole, who has since described the period as deeply challenging, both emotionally and professionally. Following the release of her third album and a strenuous tour in Germany, she experienced a breakdown that led her to step back from the mainstream music scene. Despite these setbacks, Cole has continued to produce music independently, releasing eight additional albums and embracing a do-it-yourself approach that allows her to maintain creative control.

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Her latest project, a two-album compilation titled "Sonic Memoir: Demos 1989-1998," offers listeners a raw glimpse into her early artistic development. Cole acknowledges the imperfections in these recordings but values their authenticity as a document of her growth as both a musician and a producer. This release serves as both a reflection on her past and a statement of artistic autonomy.

Cole's continued financial stability largely stems from the enduring popularity of "I Don’t Want to Wait," which gained iconic status as the theme song for the television series "Dawson’s Creek." The royalties from this track have enabled her to fund less commercially driven projects, underscoring the complex balance between commercial success and artistic integrity in her career.

Beyond music, Cole’s personal life and values reflect a deep connection to nature and environmental stewardship. Raised in coastal Massachusetts with a family engaged in both the arts and sciences, she has embraced a lifestyle that emphasizes sustainability and ecological awareness. She actively cultivates land on her Massachusetts property and follows permaculture principles, influenced by contemporary naturalist philosophies.

Her commitment to environmental issues is also entwined with her perspective on human impact on ecosystems, inspired by her father’s background in biology and entomology. Cole is vocal about the need to preserve insect populations and soil health, critiquing modern agricultural practices that threaten ecological balance.

Cole’s role in music history also includes her contribution to the creation of Lilith Fair in 1997, a festival that championed female artists at a time when industry skepticism about women’s commercial viability was widespread. Her early collaboration with Sarah McLachlan and efforts to support female performers positioned Cole as a key figure in advocating for gender equality in the music business.

As she performs songs from "This Fire" in their original keys on her anniversary tour, Cole confronts the natural changes in her voice with determination. She views this phase of her career not as a decline, but as an evolution, refusing to compromise on the artistic standards she set decades ago.

Through resilience and reinvention, Paula Cole exemplifies an artist who has navigated the complexities of fame, industry pressures, and personal growth. Her journey offers insight into the challenges female musicians face and the possibilities that emerge when one embraces independence and authenticity in the creative process.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by newyorker.com. Read the publisher's report for the complete source context.

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