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Stray Kids Wraps Latin American Tour in Mexico with STRAYCITY

Published September 26, 2026 · US

Stray Kids Wraps Latin American Tour in Mexico with STRAYCITY

Stray Kids wraps up their Latin American tour in Mexico with STRAYCITY, an epic festival that brought together 60,000 fans at GNP Seguros Stadium.

South Korean boy band Stray Kids brought their Latin American tour to a climactic close in Mexico City, transforming the GNP Seguros Stadium into a vibrant music festival known as STRAYCITY. This event, held on September 25, attracted an estimated 60,000 attendees, highlighting the group's growing influence in the region and the cultural connections between South Korea and Mexico.

The festival-style concert marked a significant moment for Stray Kids, comprising members Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin, and I.N. It was held at the same stadium where they made their Latin American debut 17 months prior, underscoring their rapid rise in popularity. The scale of the event was unprecedented for the group in Mexico, making STRAYCITY their largest performance in the country to date.

STRAYCITY was more than a solo concert; it was a multi-act festival. South Korean-Japanese group Nexz shared the stage alongside Mexican artists Renee and Andrés Obregón, who opened the evening. This fusion of local and international performers illustrated a broader cultural exchange and enriched the concert experience, providing fans with diverse musical styles within a single event.

The atmosphere was electrifying, enhanced by tens of thousands of official light sticks, known as Nachimbongs, which illuminated the stadium. Fans without official light sticks used their phone lights to contribute to the sea of lights. The audience, known as STAYs, engaged actively by matching the group's intricate choreography during fan-favorite songs such as “TOPLINE,” “S-Class,” “Bounce Back,” and “Thunderous.” The setlist also featured a rock-infused rendition of “LALALALA” and other high-energy tracks, all synchronized with dancers and special effects.

One of the defining features of the show was the stage design, which included three towering structures that emitted flames in coordination with the music and fan lighting. This immersive setup elevated the concert's visual impact and underscored Stray Kids' commitment to delivering a dynamic live experience.

Adding a notable diplomatic dimension to the event, South Korean President Lee Jae-myung and First Lady Kim Hye-kyung attended the concert, joining the crowd with visible enthusiasm. Their presence coincided with the conclusion of the president's official visit to Mexico, symbolizing the strengthening ties between the two nations. The president shared moments from the performance on social media, emphasizing K-pop’s role in promoting South Korean culture globally.

Mexico’s Secretary of Culture, Claudia Curiel de Icaza, was also present at STRAYCITY, accompanied by children from underserved communities who had been given tickets to attend. This gesture, announced by Mexico City’s mayor Claudia Sheinbaum, highlighted efforts to make cultural events accessible to marginalized groups and further cemented the concert’s social significance.

Throughout the nearly hour-and-a-half set, Stray Kids maintained a high-energy pace, blending powerful vocals, synchronized dancing, and interactive moments with the audience. The group’s leaders took care to encourage mutual support among fans, reflecting the community spirit that has become a hallmark of their fanbase.

STRAYCITY not only celebrated Stray Kids’ musical achievements but also reinforced the group’s role as cultural ambassadors. Following the Mexico City finale, the band was scheduled for a second night at the same venue to officially end their Latin American tour, which included prior performances in Colombia, Argentina, and Brazil. This tour trajectory illustrates Stray Kids’ expanding footprint in Latin America, a region increasingly receptive to K-pop’s global wave.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by billboard.com. Read the publisher's report for the complete source context.

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