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Miley Cyrus’ ‘Bass Persuades’ Has the Biggest Chart Drop Ever for an Album in the Week After a No. 1 Debut

Published October 6, 2026 · US

Miley Cyrus’ ‘Bass Persuades’ Has the Biggest Chart Drop Ever for an Album in the Week After a No. 1 Debut

How far down the Billboard 200 did Miley Cyrus’ “Bass Persuades” album fall in its second week? Curiosity about that grew over the last few days, particularly as Billboard announced the top 10 of its album chart on Sunday, and Cyrus’ album was not in it, afte…

Miley Cyrus has made an unexpected mark on the Billboard 200 with her new album "Bass Persuades," which experienced an unprecedented drop following its debut at the top of the chart. After entering the Billboard 200 at No. 1, the album fell dramatically to No. 157 in its second week, establishing a record for the steepest decline from a No. 1 debut in the chart’s history.

This sharp descent has drawn comparisons to notable past instances of albums falling from peak positions, though the circumstances differ significantly. For example, Bon Jovi’s "This House Is Not for Sale" once fell from No. 1 to No. 169, but this occurred years after its original release, during a period when the album was re-entering the charts under now-disallowed bundling practices tied to concert ticket sales. Similarly, Travis Scott’s "Days Before Rodeo" surged to No. 1 nearly a decade after its initial release due to a vinyl release, only to vanish from the chart shortly afterward.

Unlike these cases, Miley Cyrus’ album is current and did not benefit from unusual sales tactics or delayed releases. The rapid decline is, therefore, a unique phenomenon in today’s music market for an album fresh off a No. 1 debut. Historical parallels stretch back to the 1950s with Elvis Presley’s "Elvis’ Christmas Album," which also dropped off quickly after charting at the top, though this occurred on a much smaller 25-album chart and was influenced by seasonal factors.

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The lack of a breakout hit single may partly explain the album’s difficulty maintaining its initial momentum. The title track, "Bass Persuades," reached only No. 35 on the Billboard Hot 100 before the album’s release, signaling moderate rather than overwhelming enthusiasm from listeners. Critical assessments pointed out that the single’s style did not fully represent the album’s overall sound, which diverged from the dance-pop expectations some fans had.

Despite the album’s rapid fall on the charts, Miley Cyrus’ live performance plans indicate sustained commercial strength. She has scheduled two concert dates at the Hollywood Bowl in mid-October, explicitly designed around showcasing "Bass Persuades." Both shows sold out within minutes, highlighting her enduring drawing power and the album’s appeal in a live setting.

This sequence of events illustrates the complex dynamics between album sales, streaming, and live performances in the modern music industry. While an album’s chart position can fluctuate drastically, an artist’s influence and fan engagement may persist through other channels such as concerts and multimedia releases.

The case of "Bass Persuades" may prompt further discussion about the current metrics and consumption patterns driving chart performance, especially for high-profile artists. Cyrus’ record-setting decline underscores how quickly market attention can shift, even for major releases, and highlights the evolving nature of music popularity in the streaming era.

As Miley Cyrus continues to promote her work and engage audiences through live shows, the long-term impact of "Bass Persuades" remains to be seen. For now, the album’s record-breaking Billboard trajectory stands as a notable moment in the recent history of music chart performance, as reported by variety.com.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by variety.com. Read the publisher's report for the complete source context.

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