Wednesday’s Karly Hartzman Plots Solo Tour

As 2026 draws to a close, Karly Hartzman, known primarily as the frontwoman of the band Wednesday, is preparing to venture out on a solo tour that will take her through a select number of southeastern U.S. cities. This intimate eight-date itinerary is scheduled to begin on December 1 and will stretch through the early part of the month, providing an opportunity for fans to experience Hartzman’s music in a more personal setting.

This solo run arrives shortly after Wednesday concludes their extensive Bitch Cabal Tour, a collaborative effort with punk band Mannequin Pussy. The proximity of these two tours marks an ambitious and active period for Hartzman, who continues to expand her presence beyond the band’s collective work.

The upcoming solo shows will include stops in Kentucky, Tennessee, Alabama, Mississippi, Georgia, and North Carolina, with a notable hometown performance at The Pyrle in Greensboro, North Carolina. The full schedule includes venues such as The Burl in Lexington, Songbirds in Chattanooga, Boxcar in Opelika, Fat Cat in Hattiesburg, and the Raised by Sound Festival in Memphis, culminating in a final date at Lily’s Snack Bar in Boone, North Carolina.

Hartzman’s visibility in the music scene has been on the rise recently, underscored by her diverse engagements. She has appeared on platforms like NTS Radio and contributed vocals on a track by Weezer. Additionally, her involvement with Hayley Williams’ set at the Newport Folk Festival has further showcased her versatility and growing reputation.

Last year, Wednesday released Bleeds, an album that has garnered critical acclaim, including a deluxe edition that surfaced just last month. This expanded release features previously unreleased demos and remixes from notable artists such as Avey Tare and DJ Sabrina the Teenage DJ. Bleeds has been recognized for its artistic merit, even securing the top spot in Pitchfork’s list of the 30 Best Rock Albums of 2025.

Looking ahead to 2027, Wednesday is scheduled to appear at Knoxville’s Big Ears Festival in April, continuing their momentum in the live music circuit. This festival appearance signals ongoing activity and engagement from the band despite Hartzman’s solo endeavors.

While specific setlists or new solo material details remain limited, this tour offers a glimpse into Hartzman’s capacity to carry her creative vision independently. Fans and industry observers will likely view these performances as a chance to witness the nuances of her songwriting and stage presence separate from Wednesday’s collective dynamic.

Collectively, the tour underscores Hartzman’s rising profile as an artist capable of navigating both collaborative and solo landscapes. It also reflects a broader trend of musicians branching out to explore individual projects alongside their band commitments.

In summary, Karly Hartzman’s late-year solo tour signals a significant chapter in her evolving career. By engaging audiences across multiple states in intimate venues, she is poised to deepen her connection with fans and solidify her status as a distinctive voice within the contemporary rock and indie music scenes.