Billy Corgan on Why He’s Stood By Marilyn Manson: ‘I Don’t Want the World to Tell Me Who My Friends Are’

Billy Corgan, frontman of The Smashing Pumpkins, has publicly reaffirmed his longstanding friendship with Marilyn Manson, a relationship that has persisted through significant legal and public controversies. In a recent interview featured on The New York Times Popcast, Corgan detailed his reasons for standing by Manson, whose real name is Brian Warner, despite the serious accusations levied against him.

The origins of their connection trace back to the 1990s when the two musicians first became acquainted. Their friendship experienced a hiatus that lasted until 2015, when they reunited for the End Times Tour, marking a rekindling of both personal and professional ties. This renewed bond was further complicated by the emergence of multiple allegations against Manson, beginning with claims from actress Evan Rachel Wood and followed by several other women accusing the rocker of sexual assault and misconduct.

Wood's allegations, which accused Manson of grooming and abuse during her teenage years, catalyzed a broader discourse on domestic violence and sexual abuse within the music industry. Manson has consistently denied all accusations. The Los Angeles District Attorney’s office conducted an extensive investigation over several years, ultimately deciding in January 2025 not to file criminal charges. The DA's decision was influenced by the statute of limitations and evidentiary challenges, though it acknowledged the importance of the survivors' advocacy in raising awareness about abuse.

Corgan, who identifies as a Christian, emphasized the importance of loyalty and standing by friends during difficult times, while also maintaining a critical perspective. He indicated that his personal knowledge of the private circumstances surrounding the case informed his belief in Manson’s innocence, a position reinforced by the DA’s decision not to prosecute. This stance is made more intricate by the intertwining of their social circles; Manson’s wife is the twin sister of Ashley, who is married to James Iha, a founding member of The Smashing Pumpkins, effectively making Manson part of their extended family.

Despite the absence of criminal charges, Manson continues to face civil litigation from some accusers. Notably, his former assistant Ashley Walters successfully reopened a sexual assault lawsuit after prior dismissals, and other cases, including one with actress Esmé Bianco, have been settled or dismissed in recent years. Warner has consistently denied all allegations, asserting that his past relationships were consensual.

The complexities of this situation have placed Corgan in a nuanced position, balancing his personal convictions, legal outcomes, and the broader cultural implications of the allegations. His public remarks underscore a commitment to personal loyalty and skepticism toward external judgments about his associations.

While the controversy surrounding Manson remains unresolved in the public eye, the dialogue it has sparked continues to influence conversations about accountability, the legal system’s handling of abuse claims, and the impact on artists and their communities. Corgan's perspective offers insight into how longstanding personal relationships intersect with the public’s scrutiny and the evolving dynamics of the music industry.

For those affected by sexual assault or abuse, resources such as the Rape, Abuse & Incest National Network (RAINN) provide confidential support and assistance. The ongoing discourse highlights the need for continued attention to survivors' experiences and the complexities involved in navigating allegations within high-profile settings.