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Andy Irvine on Dónal Lunny: ‘He glued Planxty together and made the structure work’

Published October 25, 2026 · US

Andy Irvine on Dónal Lunny: ‘He glued Planxty together and made the structure work’

The friends made music together through decades when Ireland became a lot more liberal. But it could still be more egalitarian, like the society Irvine’s hero Woody Guthrie campaigned for

Andy Irvine, a seminal figure in Irish folk music, continues to embody a lifetime of musical exploration and political consciousness that bridges decades and continents. At 84, Irvine maintains an active touring schedule and recently released Devoted, an album paying homage to American folk legend Woody Guthrie. His ongoing engagement with Guthrie’s repertoire highlights the singer-songwriter’s profound influence on Irvine’s own artistry and worldview.

Irvine’s connection to Guthrie began in his teenage years, sparked by fascination with Guthrie’s music and deepened by an alignment with the American’s egalitarian politics. Guthrie’s songs, many of which address issues of social justice, anti-fascism, and workers’ rights, resonate strongly with contemporary audiences, underscoring the timelessness of his message. Irvine’s dedication extends beyond performance; he has cultivated personal relationships with people close to Guthrie’s circle and remains deeply committed to preserving the singer’s legacy.

The Irish folk scene Irvine emerged from was markedly conservative during his youth, with venues seldom welcoming live music. His early career included membership in influential groups such as Sweeney’s Men and Planxty, the latter of which formed initially to support Christy Moore’s album Prosperous before evolving into a groundbreaking ensemble. Irvine credits Dónal Lunny, a fellow Planxty member who passed away recently after a prolonged illness, as the cohesive force who shaped the band’s distinctive sound and structure.

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Lunny’s musicianship and intuitive collaboration style earned admiration from Irvine and many others. Lunny’s ability to adapt and complement his bandmates’ strengths made him a pivotal figure in Irish folk’s evolution. Irvine recalls Lunny’s unique talent for seamlessly integrating with other musicians, reinforcing the group’s chemistry and innovative arrangements.

Throughout his career, Irvine has embraced a broad musical palette, incorporating Irish, American, Scottish, and Balkan traditions. His introduction to the bouzouki, brought into Irish music by bandmate Johnny Moynihan, exemplifies this openness. Initially skeptical of the Greek instrument, they adapted it to fit Irish folk’s rhythmic and harmonic structures, transforming it into a signature sound element.

Irvine’s reflections reveal a musician who values authenticity over showmanship. Despite stage nerves, he derives fulfillment from connecting with audiences and delivering music that matters. He acknowledges a lifelong nervousness shared by peers like Ronnie Drew, yet this vulnerability coexists with a profound dedication to his craft and its communal spirit.

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The enduring appeal of Irvine’s work is evident in the enthusiastic reception from younger generations. When Planxty reunited in 2005, audiences included many under 25 years old, indicating the music’s cross-generational relevance. Irvine continues to appreciate emerging Irish folk artists and explores collaborations internationally, notably with Swedish group Quilty, expanding his engagement with diverse folk traditions.

Irvine’s career also mirrors broader social changes in Ireland, from a highly conservative society to one increasingly open and inclusive. Nonetheless, he recognizes that true egalitarianism, a principle championed by Guthrie, remains an ongoing pursuit within both society and the music industry.

While Irvine remains critical of the commercial music business, he emphasizes the importance of passion and authenticity in artistic expression. His latest Guthrie-inspired work underscores a lifelong commitment to using music as a vehicle for social awareness and solidarity, themes as urgent today as when Irvine first encountered Guthrie’s songs more than half a century ago.

Details about Irvine’s specific future projects remain limited, but his legacy as a connector of musical traditions and social ideals is firmly established. His tribute to Dónal Lunny and the continuing relevance of Woody Guthrie’s vision reflect a career deeply rooted in collaboration, innovation, and a persistent quest for justice through song.

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