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Meet the Vigodas: Conan O’Brien Plays Out His Teenage Dream With L.A. Cover Band

Published November 7, 2026 · US

Meet the Vigodas: Conan O’Brien Plays Out His Teenage Dream With L.A. Cover Band

Conan O'Brien tells us about his new cover band the Vigodas backstage at their Teragram Ballroom show in Los Angeles.

Conan O’Brien, widely known for his tenure as a late-night television host, has embarked on a musical journey that reflects a deep-rooted affection for rock & roll spanning multiple decades. Since launching the Vigodas in August 2023, O’Brien has taken the stage at various intimate venues across Los Angeles, showcasing a setlist that pays homage to rockabilly, classic rock, and seminal artists from the 1950s through the 1980s.

The Vigodas, named after the late actor Abe Vigoda, who was a memorable presence on O’Brien’s former late-night show, comprises a lineup of younger musicians including guitarist Jason Roberts, bassist Erik Kertes, keyboardist Ben Alleman, and drummer Josh Adams. The band is characterized by a high-energy repertoire featuring artists such as Elvis Presley, Bo Diddley, John Lennon, and Warren Zevon, among others.

O’Brien’s entry into this project was sparked by his podcast, where a conversation with singer Norah Jones led to a connection with Roberts, who provided guitar lessons and shared a mutual enthusiasm for the Beatles. This relationship quickly evolved into the formation of a full band, marking O’Brien’s realization of a long-held desire to perform in a group setting, a dream deferred since his youth.

Performing mostly within the Los Angeles area, the Vigodas have graced stages like the Teragram Ballroom, the Troubadour, and the Moroccan Lounge. Their shows are notable not only for their musical selections but also for the audience’s engagement, which ranges from casual listeners familiar with O’Brien’s television and podcast work to passionate fans of the genres they cover.

Aside from the core band members, the Vigodas’ performances often include collaborations with opening acts, fostering a communal and celebratory atmosphere reminiscent of classic hootenannies. This inclusive approach underscores O’Brien’s intent to contribute meaningfully to the local music scene despite acknowledging the limits of his professional music career.

The setlist consistently features a diverse mix of songs, including rapid-fire renditions of tracks like Ronnie Hawkins’ “40 Days” and Chuck Berry’s “Monkey Business,” a nod to O’Brien’s longtime appreciation for rock’s early pioneers. His approach to these covers often involves tempo acceleration, injecting fresh energy while honoring the originals.

O’Brien’s musical journey also reflects moments of recognition from industry legends. For instance, a backstage encounter with Keith Richards highlighted the reach of O’Brien’s sporadic musical projects, evidencing the comedian’s earnest dedication to his craft beyond comedy.

The Vigodas represent more than just a nostalgic venture; they are a vehicle for O’Brien to immerse himself in the raw vitality of live music and share that experience with both musicians and audiences. The band’s ongoing presence on the Los Angeles circuit offers a testament to the enduring appeal of classic rock and the personal fulfillment derived from artistic collaboration.

Details about future recordings or extended tours remain limited, with current activity focused on live performances and community-building within the local music ecosystem. Nevertheless, the Vigodas stand as a compelling chapter in Conan O’Brien’s multifaceted career, blending humor, nostalgia, and genuine musicality.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by rollingstone.com. Read the publisher's report for the complete source context.

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