Sepultura Celebrate Career at Final Show - See Setlist + Video
Published November 8, 2026 · US

The legendary Brazilian metal band played their final show ever in their home country last night (Nov. 7), complete with an expansive setlist and plenty of guest appearances! Continue reading…
Sepultura delivered their farewell performance on November 7 at the Suhai Music Hall in São Paulo, Brazil, wrapping up their Celebrating Life Through Death tour with a career-spanning concert. The show featured an ambitious 32-song lineup, a notable expansion from earlier tour dates that averaged around two dozen tracks.
The final gig underscored the band's enduring impact in the thrash and groove metal scenes, showcasing material from almost every album in their catalog. Songs ranged from early works like 1986's Morbid Visions through to selections from the 2020 release Quadra, providing a comprehensive retrospective of their evolution.
Related stories
Sepultura incorporated many fan-favorited and career-defining compositions, including "Roots Bloody Roots," "Territory," and "Kairos." Classics such as "Refuse/Resist," "Arise," "Dead Embryonic Cells," "Means to an End," "Against," and "Ratamahatta" also featured prominently. The setlist notably skirted around the 2026 EP The Cloud of Unknowing, performing every track except "Sacred Books."
Related music video
Selected for this story · Published within the last two years
The band reintroduced several songs to their live repertoire after extended absences, including "Altered State" (last performed 2013), "We’ve Lost You!" (2015), "Itsári" (1998), "Reza" (2005), and "Crucificados Pelo Sistema" (2013). These rare performances provided long-time followers with unique highlights amid the extensive set.
Guest musicians augmented the performance, lending additional layers to certain tracks. Ethan Kahn and Sean Sterling of Chained Saint joined Sepultura on "Propaganda," while Allan Wallace from Eminence appeared for "Dusted." Andreas Kisser’s son Yohan contributed to "Convicted in Life," and Moyses Kolesne of Krisiun supported on "Itsári" and "Kaiowas."
Former members also participated; drummer Amilcar Christofaro from Tortured Squad played on "Beneath the Remains," and ex-guitarist Jairo Guedz made several appearances during the show. Although ex-drummer Jean Dolabella was expected to attend, there is no confirmation of his onstage involvement.
This final concert took place after opening acts from Metal Allegiance, Sacred Reich, and Krisiun, contributing to an event that celebrated Sepultura’s legacy within the heavy metal community. The venue shift from the originally planned Mercado Livre Arena Pacaembu to Suhai Music Hall occurred prior to the event.
The lineup for this concluding performance included Andreas Kisser on lead guitar, Greyson Nekrutman on drums, Paulo Jr. handling bass and backing vocals, and Derrick Green as lead vocalist. Their collaboration on stage was complemented seamlessly by returning and guest artists, enriching the final live experience.
From a catalog standpoint, the setlist's breadth underscores the band's commitment to honoring their full discography while also revisiting rarely played material. This strategy will likely strengthen the historical significance of their recorded legacy and maintain fan engagement through archival interest.
Touring dynamics for Sepultura have culminated in this comprehensive farewell, signaling a closure to their live performance chapter. The extensive setlist length and high-profile guest participation reflect a desire to craft a definitive live statement.
Sepultura’s final show not only celebrated their musical contributions but also solidified relationships with collaborators, family, and past members, highlighting communal ties within the metal scene that have persisted over decades.
The conclusion of Sepultura’s touring activities leaves open questions about future projects or reunions but firmly closes a significant era for the legendary band and their followers.
Full story & global impact
This article was synthesized and rewritten by MusicTop Editorial from reporting published by loudwire.com. Read the publisher's report for the complete source context.
Read original source: loudwire.com
