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OFFICIALSource: rollingstone.com

Deftones to Give ‘Private Music’ Public Offering on Spring Tour

Published November 12, 2026 · US

SOURCE: ROLLINGSTONE.COM

Deftones have confirmed a spring tour across North America, showcasing material from their latest album, Private Music, alongside standout tracks from their extensive catalog. The band will perform mainly in amphitheaters from early May through late June, concluding the run in Toronto on June 20.

The tour will feature support from Knocked Loose and Julie, except for one date where these acts will not appear. Ticket sales to the general public are set to begin on November 19, with early access available through artist presales until the preceding Sunday.

This announcement follows the band's recent headline performance at their own festival, Día de los Deftones, which attracted more than 40,000 attendees in San Diego. The event highlighted the band’s latest work, with a set heavily featuring tracks from Private Music and the 2010 album Diamond Eyes.

One notable moment at the festival was the live presentation of “Melanie,” a track originally intended for the unreleased Eros album. This was its first live performance since 2008, marking a significant moment for longtime fans.

Día de los Deftones is in its seventh year and included performances from diverse artists such as Converge, Jehnny Beth, AFI, and the Neighbourhood. The sold-out event underscores the band’s ability to draw sizable crowds and maintain a loyal fanbase.

Rolling Stone recently named Private Music the best metal album of 2025, praising the band for blending their signature alternative metal sound with fresh elements. The album, their tenth studio release, reinforces Deftones' reputation for evolving while staying true to the intensity and emotional depth that defined earlier works like White Pony.

The spring tour itinerary begins in Dallas on May 5 and includes stops in cities such as San Antonio, Houston, Albuquerque, and Phoenix. The tour also covers major music markets including Los Angeles, Atlanta, New York, and ends in Toronto. The venues are primarily outdoor amphitheaters, supporting large audiences.

The inclusion of Knocked Loose and Julie as supporting acts brings a blend of hardcore and alternative rock elements to the tour, broadening the appeal and creating a dynamic concert experience. However, these acts will not join the band at the Salt Lake City performance on May 14.

From a catalog standpoint, the band’s willingness to perform deep cuts like “Melanie” signals a commitment to their long-term fans while promoting newer material. This balance can be crucial in sustaining interest over multiple touring cycles.

Touring through amphitheaters at this scale also reflects the economic viability of metal and alternative acts that have established themselves over decades. The choice of venues suggests confidence in substantial ticket demand for live experiences post-pandemic.

With Private Music receiving critical acclaim and the band delivering a packed touring schedule, Deftones appear positioned to consolidate their standing in the metal and alternative rock scenes in 2026. The range of dates and locations indicates a strategic approach to maximize reach across diverse regional markets.

The combination of a celebrated recent album, special live performances of rare material, and a full North American tour provides momentum that can drive further engagement with their audience. This cycle represents a robust phase for Deftones, enabling them to capitalize on both legacy and innovation.

Additional details about the tour logistics, including support act involvement on specific dates and ticketing policies, remain clear. Any further special appearances or unique setlists for individual shows are yet to be disclosed.

The tour’s conclusion in Toronto on June 20 will cap a seven-week run, offering fans in multiple cities the opportunity to experience Deftones' evolving sound in an expansive live setting.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by rollingstone.com. Read the publisher's report for the complete source context.

Read original source: rollingstone.com