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Orville Peck Pays Tribute to Dolly Parton During Paddock Bar Performance at F1 Austin

Published October 29, 2026 · WORLD

Orville Peck Pays Tribute to Dolly Parton During Paddock Bar Performance at F1 Austin

The singer performed at Austin honky-tonk Sagebrush, which was converted into The Paddock Bar for three nights of music and entertainment over F1 weekend

During the 2026 Formula 1 U.S. Grand Prix weekend in Austin, country artist Orville Peck delivered a heartfelt homage to Dolly Parton in a unique setting that blended motorsport and music culture. Peck took the stage at the historic Sagebrush venue, temporarily transformed into the Paddock Bar, bringing a mix of new tracks and classic fan favorites to an intimate audience.

The performance took place on a Friday night, shortly after 10 p.m., drawing roughly 300 attendees into a space that has been a staple of Austin’s honky-tonk scene for over 70 years. The venue’s adaptation into the Paddock Bar was part of Formula 1’s initiative to infuse its race weekends with distinct cultural experiences relevant to each host city. At this event, music and entertainment intertwined with the high-octane world of racing, showcasing Formula 1’s broader cultural ambitions beyond the circuit.

Midway through Peck’s set, he shifted to a stripped-down acoustic rendition of Parton’s iconic "I Will Always Love You." This tribute was not an isolated gesture; Peck had previously honored Parton in London the night she passed, highlighting her emblematic kindness in a world often lacking such virtues. His reverence for Parton underscores her enduring influence on contemporary country artists and the genre at large.

Sharing the stage that evening was country singer-songwriter Kameron Marlowe, who co-headlined the night’s musical offerings. The weekend’s entertainment spectrum was rounded out with British comedian Jack Whitehall headlining a comedy session on Saturday, marking a vibrant and varied cultural program for attendees.

The Paddock Bar’s lineup and atmosphere exemplified Formula 1’s growing integration with music and entertainment industries, aiming to cultivate a multifaceted festival vibe beyond motor racing. This crossover extended to celebrity appearances throughout the weekend, with figures such as actor Damson Idris, known for his role in "F1 The Movie," and personalities from the culinary and entertainment worlds, including Gordon Ramsay and JoJo, making appearances associated with various F1 teams.

Additionally, the race weekend featured performances by notable musicians like Maroon 5, Alesso, and Post Malone at Circuit of the Americas, further cementing the event's status as a cultural nexus. This year also marked the debut of House 44, an exclusive hospitality venue developed in partnership with driver Lewis Hamilton and Soho House, offering elevated race views and an exclusive social experience.

On the sporting front, young driver Kimi Antonelli clinched the U.S. Grand Prix victory, receiving a trophy that creatively blended Texan symbolism with luxury branding. At just 20 years old, Antonelli’s win and his proximity to the Drivers Championship title added an exciting competitive narrative to the weekend. Ferrari’s Charles Leclerc and Red Bull’s Max Verstappen completed the podium, reflecting the ongoing rivalry and high stakes of the current F1 season.

Formula 1’s presence in Austin this year was characterized by a deliberate fusion of racing, music, comedy, and hospitality, all curated to enhance fan engagement and cultural relevance. The Paddock Bar’s activation at a historic music venue like Sagebrush symbolized a strategic approach to embracing local heritage while promoting a global sporting event. This initiative highlights Formula 1’s ambition to evolve race weekends into comprehensive cultural experiences that resonate with diverse audiences worldwide.

Details about future Paddock Bar locations or artist lineups remain limited at this time, but the success of the Austin event suggests continued efforts to blend motorsport with artistic expression in upcoming races.

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This article was synthesized and rewritten by MusicTop Editorial from reporting published by rollingstone.com. Read the publisher's report for the complete source context.

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