Ella Langley’s ‘Choosin’ Texas’ No. 1 on Hot 100 for 27th Week

Ella Langley’s country hit "Choosin’ Texas" continues to dominate the Billboard Hot 100 chart, marking its 27th consecutive week at No. 1. The song’s sustained popularity has set a new record for the longest-running No. 1 single since the chart’s inception in 1958.

This remarkable run stems from consistent streaming numbers, radio airplay, and sales. Recent tracking data shows the track obtained nearly 19 million official streams, 53 million in radio audience impressions, and 4,000 units sold in the United States during the week ending November 5, 2026. While streaming and airplay figures have slightly declined, sales experienced a modest increase.

Meanwhile, Michael Jackson’s classic "Thriller" has surged to a new peak of No. 2 on the Hot 100, eclipsing its original 1984 peak of No. 4. This resurgence was fueled by Halloween-related activity, prompting an 87% increase in streams and a 172% jump in radio reach compared to the previous week. Additionally, the song led the Streaming Songs and Digital Song Sales charts for the first time, marking Jackson’s inaugural No. 1 on those lists.

Jackson’s revival on the charts also places him simultaneously at No. 2 on both the Hot 100 and the Billboard 200 album chart, an occurrence not seen since early 1992. The album "Thriller" has reappeared at No. 2 on the Billboard 200, reflecting renewed interest in the iconic record decades after its release.

Tame Impala and BLACKPINK’s JENNIE achieved a notable breakthrough with their collaboration "Dracula," which reached a new peak of No. 3 on the Hot 100. The track’s rise is particularly significant as it took 58 weeks to reach the top three, setting a record for the longest climb to that position. "Dracula" also maintained its hold atop radio airplay and led the Hot Dance/Electronic and Hot Rock & Alternative Songs charts.

The continued success of "Dracula" highlights the growing influence of K-pop artists in the U.S. mainstream charts, with JENNIE tying the record for highest Hot 100 placement by a female K-pop artist alongside BLACKPINK’s ROSÉ. This achievement underscores the expanding global reach and longevity of K-pop in the American market.

Other notable chart movements include Tate McRae’s "Housewife," which slipped to No. 4 after peaking at No. 2, and Stella Lefty’s "Boston," which fell to No. 5 following its own No. 2 peak. Morgan Wallen’s "Been by Now" also dropped two places after previously reaching No. 2, while ADÉLA’s "Nicole Kidman" retreated slightly from its high point.

Karol G's "BbY WOW," featuring Judeline and rusowsky, climbed to No. 8 on the Hot 100 and maintained dominance on the Hot Latin Songs chart for a 12th week. Ariana Grande’s "Hate That I Made You Love Me" reentered the top 10 at No. 9 after leading the chart earlier this year, and Olivia Rodrigo’s "Stupid Song" returned to the top tier at No. 10 following a previous peak at No. 3.

The metrics driving the Hot 100 continue to be diverse, with streaming, radio, and sales all contributing in varying degrees. For example, "Choosin’ Texas" remains strong in radio airplay and sales, while "Thriller" gains momentum primarily through streaming and digital sales spikes tied to seasonal interest.

Ella Langley’s extended reign illustrates the sustained commercial viability of country music singles when supported by multi-platform appeal. The track’s record-breaking 27-week run significantly surpasses typical chart longevity, placing it among the most enduring hits in Hot 100 history.

This dominant performance also suggests that Langley’s promotional strategy, which includes partnerships with both Columbia Records and Triple Tigers to target country radio, remains effective in maintaining audience engagement across formats. The song’s success on the Hot Country Songs chart, where it leads for 48 weeks, complements its mainstream achievement.

The resurgence of Michael Jackson’s "Thriller" demonstrates how catalog music can experience renewed commercial success through cultural moments and streaming dynamics. Its resurgence on multiple charts decades after release highlights the enduring power of legacy artists to capture new waves of listener interest.

In the context of K-pop’s growing footprint, JENNIE’s achievement with "Dracula" further solidifies the genre’s expanding acceptance and the impact of cross-genre collaborations. The track’s extended climb challenges typical chart trajectories and indicates sustained fan support over an extended period.

Upcoming chart reports will reveal whether these trends continue, but current data confirm a complex, dynamic landscape where new hits, catalog classics, and global influences intersect to shape the contemporary music marketplace.