Macklemore Dropped From Ed Sheeran’s Tour For His Pro-Palestine Views — And He Blames 1 Person
Published September 15, 2026 · US

The “Thrift Shop” rapper got heat from fellow artist Pink after he made a “Free Palestine” speech at a concert earlier this month.
Rapper Macklemore has been removed from the remaining dates of Ed Sheeran’s U.S. Loop Tour after expressing pro-Palestinian views during a concert earlier this month. The decision reportedly stemmed from venue owners’ refusal to allow him to perform, which threatened the continuation of the tour.
The controversy ignited on September 4th, when Macklemore addressed a crowd at MetLife Stadium in New Jersey, urging support for Palestine. He emphasized his longstanding advocacy by proclaiming "Free Palestine" to the audience, aiming to draw attention to the humanitarian situation in Gaza and the West Bank. While some attendees applauded his remarks, others chose to leave during his set.
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The incident gained further traction after singer Pink shared a post from the group StopAntisemitism on social media that criticized Macklemore’s message as anti-Israel propaganda. The post accused him of falsely labeling Israel’s actions as genocide and called for refunds for Jewish concertgoers. Pink later clarified her position, denouncing the harsh language of the post while affirming her belief in Palestinian rights and condemning Hamas as a terrorist group. She highlighted her experience as a UNICEF ambassador and her commitment to protecting innocent lives on all sides of the conflict.
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Following mounting disputes, Macklemore announced his removal from the tour via Instagram. He attributed the decision primarily to Robert Kraft, owner of the New England Patriots and Gillette Stadium, where the tour was scheduled to perform. According to Macklemore, Kraft had communicated to Ed Sheeran that his stadium would not permit Macklemore to appear, and that Kraft had encouraged other stadium owners to take a similar stance. This collective pressure, Macklemore suggested, led to his exclusion to avoid tour cancellations.
Ed Sheeran acknowledged the difficulties posed by Macklemore’s statements and described the situation as challenging for his typically apolitical public image. Sheeran reportedly informed Macklemore that the phrase "Free Palestine" and the Palestinian flag were deeply hurtful to many people he consulted with. Macklemore responded by drawing attention to the humanitarian crisis affecting Palestinian children, implying a disconnect in perspectives between himself and some stakeholders.
Robert Kraft confirmed his role in opposing Macklemore’s participation in the Gillette Stadium concert, emphasizing the venue’s commitment to fostering an environment free of hate speech. Kraft cited his longstanding dedication to combating antisemitism and other forms of hate as motivation for his stance. He expressed a sense of responsibility to act when he believed lines had been crossed.

The situation highlights the complex intersection of entertainment, politics, and public opinion in the current cultural landscape. It underscores the challenges artists face when voicing politically sensitive views during high-profile events and the influence external parties can exert over tour arrangements.
While Macklemore’s support for Palestine is consistent with his previous activism, the repercussions from venue owners illustrate the potential consequences artists risk when engaging in contentious geopolitical discussions. Details about how other tour members and fans have reacted remain limited.
This episode marks a significant moment in the relationship between performers and concert promoters, raising questions about freedom of expression within the live music industry. It also reflects broader societal debates surrounding the Israeli-Palestinian conflict and the role of public figures in such conversations.
As of now, the future involvement of Macklemore in Ed Sheeran’s tour and other major concerts is uncertain, with venue owners’ apprehensions continuing to shape the touring landscape. Further developments will likely depend on ongoing negotiations among artists, promoters, and venue stakeholders.
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